Music Theory And Songwriting
Latest about Music Theory And Songwriting
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Finneas on how he and Billie Eilish made a conscious effort to make Birds Of A Feather sound “timeless”
By Ben Rogerson published
“The drums on this song - real and programmed - all have a kind of organic feel,” he explains
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How to use tried and tested chord progressions when crafting your song
By Roland Schmidt published
Lets draw some harmonic inspiration and top-tips from the past-masters.
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Exploding the vibrant components of hyperpop
By Jon Musgrave published
This particular genre has certainly surpassed its DIY beginnings to influence a surprising number of top artists.
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How to understand and use suspended chords
By Roland Schmidt published
"Sometimes you don't want to be overtly happy or sad and a suspended chord strikes that perfect balance"
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“What? How did you even get there!?”: Songwriter Julia Michaels on Sabrina Carpenter’s nonsense lyics
By Ben Rogerson published
“A lot of the time I feel like it’s hard to tell someone’s personality through their music, and with her you know exactly what you’re getting,” she says
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"Nothing is good enough”: Billy Joel explains to John Mayer why he gave up on songwriting
By Ben Rogerson published
“The writer thing is a curse you take with you throughout life, and when I listen to material or listen to other people’s songs the writer is always at work,” he says
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Was John Lennon a good guitarist? And does it really matter?
By Andy Price published
"When the worst instrumentalist in your group is John Lennon, you’ve got a pretty good group”
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How to understand key signatures
By Roland Schmidt published
“The way that sharps and flats are organised is far from random or chaotic”
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