Music Theory And Songwriting
Latest about Music Theory And Songwriting
Exploding the vibrant components of hyperpop
By Jon Musgrave published
This particular genre has certainly surpassed its DIY beginnings to influence a surprising number of top artists.
How to understand and use suspended chords
By Roland Schmidt published
"Sometimes you don't want to be overtly happy or sad and a suspended chord strikes that perfect balance"
“What? How did you even get there!?”: Songwriter Julia Michaels on Sabrina Carpenter’s nonsense lyics
By Ben Rogerson published
“A lot of the time I feel like it’s hard to tell someone’s personality through their music, and with her you know exactly what you’re getting,” she says
"Nothing is good enough”: Billy Joel explains to John Mayer why he gave up on songwriting
By Ben Rogerson published
“The writer thing is a curse you take with you throughout life, and when I listen to material or listen to other people’s songs the writer is always at work,” he says
Was John Lennon a good guitarist? And does it really matter?
By Andy Price published
"When the worst instrumentalist in your group is John Lennon, you’ve got a pretty good group”
How to understand key signatures
By Roland Schmidt published
“The way that sharps and flats are organised is far from random or chaotic”
"The importance of scales cannot be understated": How to easily grasp scale theory
By Roland Schmidt published
How to get a handle on scale theory
Cat Burns releases “unapologetic” cover of Wheatus’s Teenage Dirtbag
By Ben Rogerson published
A new version of the song that was designed to sound like “Metallica, AC/DC, Paul Simon and James Taylor from the waist up,” and “LL Cool J and Public Enemy” from the waist down
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