Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Guitars
  • Guitar Pedals
  • Synths
  • Keyboards & Pianos
  • Controllers
  • Guitar Amps
  • Drums
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Radiohead theory
  • Steely Dan's drum machine
  • Deep Purple in the dungeon
  • Prince's drummers
  • 95k+ free music samples
Don't miss these
Silva Bumpa
Tech Breakout producer Silva Bumpa on the secret to creating sub bass and UKG rhythms
Silva Bumpa Feel Da Same
Artists Why Silva Bumpa created his own R&B instrumental just to remix it into the garage-inspired Feel Da Same
Plugins
Plugins How to get famous sounds and effects using only Logic’s stock plugins
Eight producers
Artists "Turn a few seconds into a four minute, finished piece of music”: 8 producers show how they finish tracks
roland tr-808
Tutorials "The TR-808's bass drum is undoubtedly the most recognisable electronic kick sound of all time": How to get the perfect 808s
rival
Artists “You end up doing different things with a plugin versus a hardware synth”: Rival Consoles on why he still uses a Prophet emulation – even though he owns the real thing
autechre laptop
Samples SampleRadar: 205 free glitchy texture samples
Fors Pivot
Synths Pivot is a ‘no-nonsense’ FM synth plugin from the designer of one of our favourite hardware instruments
loukeman
Artists Loukeman reveals his favourite plugins and unusual production techniques
Stevie Wonder
Artists Stevie Wonder reveals how he recorded the Moog synth bassline and “laidback” vocals on a '70s classic
Grace Jones
Artists Exploring the quirky production and music theory choices of Grace Jones’ classic Slave to the Rhythm
nitzer ebb
Samples SampleRadar: 205 free EBM samples
halogen fm
Tech GForce Software makes FM synthesis simple with Halogen FM
MXR MB301 Bass Synth: the six-knob pedal is pictured in use against a petrol-blue background.
Bass Guitars “Thunderous sub-octave, expressive envelope, and lush modulation effects with killer tracking and sustain”: MXR unveils the MB301 Bass Synth – instant funk for your pedalboard
jamie xx on stage
Artists “It’s my favourite synth ever”: Jamie xx on the ultra-rare vintage Oberheim that takes "a few days" to program
  1. Tutorials
  2. Music Production Tutorials

How to make a Foamo-style fidget house bassline

Tuition
By Computer Music ( Computer Music ) published 28 April 2010

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Getting started

Getting started

Step 1: Creating a typical Foamo-style bassline is possible in most virtual analogue synths. We’re going to use Lennar Digital’s Sylenth1, the demo of which can be downloaded from Lennar Digital’s website. Start by selecting one of the Init patches from the default bank. This gives us the basic grounding to build up from.

Page 1 of 6
Page 1 of 6
Square wave

Square wave

Step 2: We want a chunkier sound than the default saw wave loaded here, so click Oscillator A1’s Wave display until you get a square shape, as shown. This gives us a far beefier low-end, more suitable for making heavy fidget house bass sounds. Also, turn the number of Voices up to 2.

Page 2 of 6
Page 2 of 6
Detuning

Detuning

Step 3: Next, turn the Detune knob up to 1.00. This retunes the oscillators slightly, giving us a more organic, analogue sound. However, this also has the side effect of panning the oscillators. We don’t need a wide sound, so turn the Stereo knob all the way down to 0.

Page 3 of 6
Page 3 of 6
Filtering

Filtering

Step 4: We can add a bit of movement to this basic patch by activating the filter. Set the Filter Type to low-pass and turn Keytrack up to 5.00. This makes the synth follow the pitch of the note being played. Turn the Drive up to 3.90 for some extra grunt, and route LFO 1 to Cutoff A.

Page 4 of 6
Page 4 of 6
More movement

More movement

Step 5: Set LFO 1’s Rate to 1/16 and Gain to max. Turn the modulation level (the knob to the left of the Cutoff A display) up to 2.00. This gives us some subtle movement, without wobbling too much. Activate Mono Legato mode (to the right of the keyboard) and turn Portamento up to 5.00.

Page 5 of 6
Page 5 of 6
Finishing off

Finishing off

Step 6: Set Amp Env A’s release time (R) to 3.00. Now, play notes in different octaves in quick succession to get that typical, bendy fidget house sound. To finish off, insert a compressor and route the kick drum to the sidechain input. This will attenuate the synth whenever the kick plays, creating a pumping effect.

Page 6 of 6
Page 6 of 6
Computer Music
Computer Music
Social Links Navigation

Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

Read more
Silva Bumpa
Breakout producer Silva Bumpa on the secret to creating sub bass and UKG rhythms
 
 
Silva Bumpa Feel Da Same
Why Silva Bumpa created his own R&B instrumental just to remix it into the garage-inspired Feel Da Same
 
 
Plugins
How to get famous sounds and effects using only Logic’s stock plugins
 
 
Eight producers
"Turn a few seconds into a four minute, finished piece of music”: 8 producers show how they finish tracks
 
 
roland tr-808
"The TR-808's bass drum is undoubtedly the most recognisable electronic kick sound of all time": How to get the perfect 808s
 
 
rival
“You end up doing different things with a plugin versus a hardware synth”: Rival Consoles on why he still uses a Prophet emulation – even though he owns the real thing
 
 
Latest in Music Production Tutorials
Frustrated music producer
Why imposing hard limitations could be the secret to finishing more music
 
 
Ableton Live Tutorial
5 creative ways to use distortion in Ableton Live: From punchier drums to dub techno delays
 
 
Logic Drums
How to think like a human drummer when building software beats
 
 
Virtual drums
How to make virtual acoustic drum performances sound like the real thing
 
 
How to program MIDI drums that sound like the real thing
 
 
Drum recording
10 tips for recording perfect drums
 
 
Latest in Tuition
MusicRadar logo
Never miss a MusicRadar thing: Google has made it easier to keep us in your feed
 
 
Overhead shot of electronic drum set plugged into a laptop running a VST
“At certain points in music history it became fashionable to place accents on certain beats”: How to score a drum part
 
 
Man in white t-shirt playing a Roland electronic drum set
10 common electronic drum set issues and how to troubleshoot them
 
 
The easy guide to recording drums: kit tips, mic placement and setting up your DAW
 
 
Where to start with a drum kit
 
 
Plugins
How to get famous sounds and effects using only Logic’s stock plugins
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...