Free music software round-up: Week 25
Blue Cat Audio's range of plug-ins has long been a favourite among freeware hunters, and it's just had an update. Elsewhere, Togu Audio Line's reverb comes out of beta testing, and there's a new stereo widening effect and a ridiculously simple sample player.
If you've got a new free music software release, make sure you let us know about it by emailing musicradar.pressreleases@futurenet.com with all the details.
Togu Audio Line TAL-Reverb
Platform/format: PC, Mac/VST, AU Download
This open-source plate reverb has apparently had its sound enhanced since the beta version (it's now at v1.0), and delivers a wider stereo spread. It still looks pretty easy to use, though, and is said to be usable on a wide range of sounds (percussion in particular is cited).
Open Ambience Project SHEPPi
Platform/format: PC/VST Download
Released under a Creative Commons License, SHEPPi stands for Stereo Haas Effect Ping Pong Inverter. That might not mean a lot to you, so we should say that it's a stereo enhancement tool that promises to give your recordings a sense of space, and can be used as a track insert or on an aux bus.
Blue Cat Audio Freeware Plugins Pack
Platform/format: PC, Mac/VST, DirectX, AU Download
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The cats at, err, Blue Cat have updated their entire range of free effects plug-ins, fixing a few bugs and improving the Windows installer. There are nine effects in all and, to make life even easier, you can download the whole lot in a single bundle.
WOK SampleTrigger
Platform/format: PC/VST Download
We've rarely (never?) seen a simpler sample player than this: load in a sample and you can play it at its original speed from your keyboard. And that, aside from the inclusion of an ADSR envelope, is it.
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.