Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Guitars
  • Guitar Pedals
  • Synths
  • Keyboards & Pianos
  • Controllers
  • Guitar Amps
  • Drums
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About Us
More
  • Radiohead theory
  • Steely Dan's drum machine
  • Deep Purple in the dungeon
  • Prince's drummers
  • 95k+ free music samples
Don't miss these
Side profile of a person playing a drum kit
Drum Lessons & Tutorials 13 easy drum songs every beginner should learn
The Police
Artists The surprising origins and intricate musical theory behind an iconic Police masterpiece
Jason Isbell plays a Martin dreadnought onstage in Norway
Artists Jason Isbell has some advice for any young player who has just bought their first acoustic guitar
Mick Jagger
Artists “Mick came in with a song, but it was very Dylan-esque”: How The Rolling Stones created Sympathy For The Devil
native instruments
Music Production Tutorials "As nuanced as the real thing, but only if you know what you're doing": The ultimate guide to plugin guitars
Grace Jones
Artists Exploring the quirky production and music theory choices of Grace Jones’ classic Slave to the Rhythm
David Gilmour plays a Black Stratocaster onstage in New York, on a moody stage lit in dark blue.
Artists David Gilmour shares an essential tone tip for guitarists using a whammy bar with a delay pedal
Josh Homme in the No One Knows video
Artists “Of course it was gonna be a hit! This song really is original”: Inside the making of a Queens Of The Stone Age classic
Dickey Betts [left] and Warren Haynes trade licks onstage with the Allman Brothers Band at the 1993 New Orleans Jazz & Heritage Festival. Haynes's Strat would soon be stolen in New York.
Artists How Warren Haynes turned to Les Pauls after his favourite Strat was stolen
Jeff Beck
Artists “The first heavy metal riff ever written – and I wrote it!”: How Jeff Beck and Jimmy Page created a groundbreaking song
Jimi and Billy in 1968
Artists “I was playing the Fender Strat that Jimi Hendrix gave me”: Billy Gibbons on the making of ZZ Top's greatest blues song
My Chemical Romance in 2006
Artists “It took five years to finish the song and define what it was about”: How My Chemical Romance created a classic anthem
Overhead shot of electronic drum set plugged into a laptop running a VST
Drum Lessons & Tutorials “At certain points in music history it became fashionable to place accents on certain beats”: How to score a drum part
Ozzy Osbourne and Zakk Wylde onstage in 1989. Both shirtless, Wylde takes a drink as he holds his bulleseye Les Paul Custom.
Artists “We were doing that riff and cracking up laughing the whole time”: Zakk Wylde on how a “joke” riff won Ozzy Osbourne his first ever Grammy
Yungblud
Artists Yungblud reveals his secret to making acoustics sound massive – and hints at future signature model
  1. Tutorials
  2. Guitar Lessons & Tutorials

Keith Richards-style open G tuning lesson

Tuition
By Steve Allsworth ( Total Guitar ) published 30 October 2015

Learn those rhythm and lead licks

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Introduction

Introduction

Keith Richards is one of the best-known exponents of open G tuning, which he discovered in 1968 after experimenting with different open tunings and jamming with the likes of blues legend Ry Cooder.

The best examples can be heard in tracks such as Honky Tonk Women, Brown Sugar, Can’t You Hear Me Knockin’, Beast Of Burden, Gimme Shelter and Start Me Up.

Although similar-sounding chords can be played in standard tuning, it’s the closer intervals between some strings that create the unique ‘close harmony’ that is immediately identifiable as Keith’s sound.

With the use of slides, hammer-ons and pull-offs he has developed a fluid rhythm style that includes lead elements from one his major influences, Chuck Berry.

With country and rock ’n’ roll-inspired doublestops, he never really goes into traditional ‘lead’ guitar playing, but instead improvises licks in and around his main ‘go to’ chord shapes.

Page 1 of 5
Page 1 of 5
Open G tuning

Open G tuning

Although Keith dispensed with his sixth string entirely, for the sake of convenience we’re keeping all six, tuned low to high: DGDGBD.

It’s therefore only the first, fifth and sixth strings that are detuned – each by a tone. This special tuning allows for several easy first and third finger chord shapes that are really characteristic of Keith’s playing.

Once you’re tuned up check you’ve got the notes right by putting a finger where you see a red dot; the arrow points to an open string of the same note.

Page 2 of 5
Page 2 of 5
Chords

Chords

Three of our six Keith-inspired chords feature a first finger barre played across five strings.

It’s a vital part of his chord playing as you can see from the one- and two-finger variations we’ve added to the basic barre. We’ve also included one or two of the great man’s signature open chords and these include shapes that aren’t confined to the 1st and 2nd frets.

Page 3 of 5
Page 3 of 5
Rhythm style

Rhythm style

This is a typical riff that uses many of Keith’s favourite chord shapes.

Essentially, the five main shapes are moved into 3rd, 5th, 7th and 12th fret positions, so you could easily interchange any of the above chords to suit.

Download the Rhythm style tab

Page 4 of 5
Page 4 of 5
Combined rhythm and lead

Combined rhythm and lead

This rhythm/lead example shows more of Keith’s country influences with the slides, hammer-ons and doublestop chords based around the G major pentatonic scale (G A B D E).

Because of the altered tuning, you might like to familiarise yourself by finding the notes from the scale starting with the open G string.

Download the combined rhythm and lead tab

Page 5 of 5
Page 5 of 5
Steve Allsworth
Read more
Side profile of a person playing a drum kit
13 easy drum songs every beginner should learn
 
 
The Police
The surprising origins and intricate musical theory behind an iconic Police masterpiece
 
 
Jason Isbell plays a Martin dreadnought onstage in Norway
Jason Isbell has some advice for any young player who has just bought their first acoustic guitar
 
 
Mick Jagger
“Mick came in with a song, but it was very Dylan-esque”: How The Rolling Stones created Sympathy For The Devil
 
 
native instruments
"As nuanced as the real thing, but only if you know what you're doing": The ultimate guide to plugin guitars
 
 
Grace Jones
Exploring the quirky production and music theory choices of Grace Jones’ classic Slave to the Rhythm
 
 
Latest in Guitar Lessons & Tutorials
Close up of a person holding an acoustic guitar bathed sunlight
Ignite your inner guitar god for just 27 cents a day with TrueFire’s July 4th sale - save 60% on online lessons
 
 
MusicNomad fret tuition
Can you fix your guitar's frets yourself? We try three innovative approaches from MusicNomad to investigate how they might conquer a major cause of fret buzz
 
 
George Harrison
How to play like George Harrison on The Beatles' Abbey Road
 
 
MusicNomad guitar fret cleaning
"You owe your guitar the chance to be its best": How to clean and polish your guitar frets a better way
 
 
Jimmy Page
Play like Jimmy Page! Exclusive video lesson
 
 
Music Theory
How learning and understanding chord symbols can prove a major benefit for sharing your musical ideas
 
 
Latest in Tuition
MusicRadar logo
Never miss a MusicRadar thing: Google has made it easier to keep us in your feed
 
 
Frustrated music producer
Why imposing hard limitations could be the secret to finishing more music
 
 
Ableton Live Tutorial
5 creative ways to use distortion in Ableton Live: From punchier drums to dub techno delays
 
 
Logic Drums
How to think like a human drummer when building software beats
 
 
Virtual drums
How to make virtual acoustic drum performances sound like the real thing
 
 
How to program MIDI drums that sound like the real thing
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...