Oberheim Electronics
Latest about Oberheim Electronics
“A very clever performance and sound design synth created for a small footprint and low price”: Oberheim TEO-5 review
By Andy Jones published
Taking a leaf from Sequential’s book, Oberheim debuts a cost-effective version of one of its poly synths. But it doesn’t merely imitate
“No collaboration and no discussions": Tom Oberheim responds to Behringer's UB-Xa statements
By Matt Mullen, Will Groves published
Behringer previously stated in a now-deleted Facebook comment that it "discussed the UB-Xa with Tom Oberheim and got his consent" to develop the synthesizer
Behringer asks why it’s criticised for “taking inspiration from legacy products” when others aren’t
By Ben Rogerson published
The company also claims that it got Tom Oberheim’s “consent” to make its OB-Xa-esque instrument
The TEO-5 gives you the classic Oberheim sound at an affordable price point
By Si Truss published
Based on the same platform as the Sequential Take 5, the TEO-5 keeps it Oberheim with a classic state-variable SEM filter and X-Mod functionality
GForce's Oberheim DMX recreates the sound of the drum machine behind New Order's Blue Monday
By Matt Mullen published
The company's latest software emulation brings the DMX to your DAW and beefs it up with extra controls and effects
The Great Synth Showdown: Oberheim OB-X8 hardware synth vs GForce Software OB-X
By Andy Jones published
The polyphonic stakes are high...
"He didn't tap a foot or move his head or anything. He listened to it all the way through and I thought he hated it": When an Eagle, Heartbreaker, Roger Linn and an Oberheim OB-X combined forces for a pop masterpiece – the Boys Of Summer story
By Rob Laing published
Tom Petty rejected Mike Campbell's synth and drum machine demo, Don Henley didn't make that mistake… but the 1984 hit had other obstacles to overcome
Behringer says that it plans to “turn the synth world upside down” with a desktop version of its Oberheim-inspired UB-Xa
By Ben Rogerson published
Downsized UB-Xa D ditches the 61-note keyboard
"Rather naively, we thought we'd write a song that could be played by machines and all we'd have to do was press the button": The real reason New Order made Blue Monday, and the gear that powers it
By Computer Music, Will Groves published
The birth of a landmark track. Plus, learn how to recreate that famous Moog bassline
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