ableton
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"For some, Move might prove to be a gamechanger": Ableton Move review
By Si Truss published
Ableton's new hardware device is a compact, standalone sketchpad – is this a must-have Live accessory?

3 next-level effect racks in Ableton Live
By Si Truss published
Elevate your sound with a raft of rack effects!

“A generous update stuffed with ideas and real potential”: Ableton Live 12 Suite review
By Si Truss published
UPDATED: includes a first look at the new 12.1 update. Still thinking about upgrading?

Ableton co-creator Robert Henke: "We are looking at ways to incorporate AI into our workflow in a way that’s inspiring, beneficial and interesting"
By Danny Turner published
Henke talks us through the new Monolake album Studio and weighs in on the future impact of AI on music-making

Clean Bandit on the Rather Be synth sound: "It's just an Ableton preset"
By Matt Mullen published
Clean Bandit's Jack Patterson shows you how to cook up the synth patch from the group's 3x Platinum 2014 hit Rather Be

"I pretty much only use presets": Four Tet on producing one of his biggest tracks in bed on laptop speakers
By Matt Mullen published
“There's no compressors on anything, there's no distortion, there's no effects. It's just a few raw sounds, a few presets and a little bit of EQ”

Ableton Live 12.1 - 5 things you should know: Auto Shift, Drum Sampler X/Y, MIDI enhancements and more
By Martin Delaney published
The chunkiest points in this chunky point upgrade

"Live 12.1 puts real-time pitch correction within reach for anyone working with vocals": Ableton update brings a new vocal tuner and drum sampler to Live
By Matt Mullen published
Live 12.1 also features improved MIDI editing, automatic sample tagging and updated Limiter and Saturator devices

Mike Paradinas: "I experimented with Ableton but it did my head in, so I'm still using Logic"
By Danny Turner published
Formed out of live tracks made in hotel rooms on tour, we chat to the Planet Mu label owner about his new µ-Ziq album, Grush

Ray Volpe: “Sometimes I won’t touch Ableton for two months, then I’ll be in there every day for 14 hours a day cranking out four crazy ideas back to back”
By Andy Price published
We caught up with bass music titan Ray Volpe to discover how he assembles his brand of crowd-pleasing ultra-bangers fully in-the-box…
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