Rhythm Top Ten Tips: Essential Gear
Ok, so we've covered rehearsing, but what are we rehearsing for: A gig, a session, a jam night? Whatever the reason there are a few essential bits of kit you should keep with you to ensure sure you are prepared for anything. Read on for our essentials check list
1. At least two turning keys, preferably more, secreted about your person and in stick bags, cymbal bags, gig bags etc. You could need it at any point to tune up, adjust your pedal, a memory lock on a stand...
2. A roll of Gaffer´s Tape - it truly has a thousand uses, many of them to do with music.
3. Spare heads - at least a snare batter and bass batter. Keep a spare head in each drum case.
4. If you can afford to have a spare, take an extra snare drum - on a stand and ready for action.
5. Head-damping materials - a tub of Moongel or a selection of ‘O´ rings will work. Cut the latter into quarter circles. If all else fails, head back to point number 1 on this list.
6. A small craft/tool box or the like containing: screwdrivers (flat and Phillips), pliers, tweezers, scissors, Allen keys, hammer etc.
7. Plus, a Swiss Army Knife, or if you want to be flash, the Roadie´s friend - a Leatherman.
8. Cymbal felts and plastic sleeves, washers and wing nuts. Snare tie-cords or tapes. Bass drum spring and hi-hat clutch.
9. Many companies sell pre-packaged spares kits and some or all of the above. They´re convenient and not usually too expensive.
10. Carpet. Essential. Buy a proprietary one or just get a cheap two-metre off-cut from your local carpet store. You will then be able to set up on almost any surface
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I'm MusicRadar's eCommerce Editor. In addition to testing the latest music gear, with a particular focus on electronic drums, it's my job to manage the 300+ buyer's guides on MusicRadar and help musicians find the right gear for them at the best prices. I dabble with guitar, but my main instrument is the drums, which I have been playing for 24 years. I've been a part of the music gear industry for 20 years, including 7 years as Editor of the UK's best-selling drum magazine Rhythm, and 5 years as a freelance music writer, during which time I worked with the world's biggest instrument brands including Roland, Boss, Laney and Natal.