MusicRadar Verdict
With genuinely effective sound isolation and proper, reliable build quality, the Westone Pro X10 are some of the finest in-ear monitors you can get at this price point. They are a premium product in all but their price tag. Highly recommended.
Pros
- +
Detachable cable
- +
Plenty of customisation with the eartips
- +
Mid to high frequencies sound lush
Cons
- -
Bass sounds struggle somewhat
- -
Lots of competition
MusicRadar's got your back
Westone Audio PRO X10 review: What is it?
When choosing a set of the best in-ear monitors, you have to ask if you want complete - or just partial - disconnection from the outside world. The Westone Audio Pro X10 are, fundamentally, siblings to the AM Pro X10 set we reviewed last year, but with one key difference. Where the AM Pro X10 allow some noise to get through, making them ideal for live performance, the Pro X10 revel in their ability to offer near-total isolation from external sound.
One of the main features of the Pro X10 is their neat design, which provides a comfortable fit for extended wear. This is crucial for performers and audio engineers who require prolonged usage during rehearsals and performances. The Pro X10 also includes a robust, detachable cable that enhances durability and offers easy replacement if needed. All ticks in the ‘for’ column so far.
As mentioned, in comparison to the Westone AM Pro series, which incorporates ambient technology allowing some external sounds to filter through, the Pro X10 is designed for complete sound isolation. This makes the Pro X10 ideal for producers who require an immersive listening experience without external interference, whereas the AM Pro would suit those who need to stay aware of their surroundings, such as stage performers.
Musicians, sound engineers, and audiophiles will find the Pro X10 a valuable tool for their craft, offering precision, comfort, and reliability. In the following section, we’ll look more at the technical aspects and performance highlights of the Westone Audio Pro X10, providing a detailed overview of what makes these monitors stand out in a competitive market.
Westone Audio PRO X10 review: Performance & verdict
The Westone Audio Pro X10 in-ear monitors are engineered with a single balanced-armature driver. This driver type is known for its ability to deliver a highly detailed and accurate sound profile, a key factor for musicians and audio professionals who need to discern subtle nuances in their audio. Unlike dynamic drivers, balanced-armature drivers are smaller and lighter, contributing to the Pro X10's lightweight and comfortable fit. Once they’re in, it’s easy to forget they’re there.
In terms of frequency response, the Pro X10 covers a range from 20 Hz to 16 kHz. This range ensures that users can hear sounds from right across the frequency spectrum, making them ideal when tracking instruments or mixing in a busy studio.
It’s worth pointing out the limitations of single-driver monitors, though. In my experience, the Pro X10 excelled at mid- and high-frequency. However, I did find that the bass response wasn’t as pronounced as in multi-driver models. To be fair, this is fine, and it's a trade-off that you may be willing to make for the Pro X10's clarity and accuracy in other ranges.
Shure SE215: Arguably one of the best budget in-ear monitors you can buy, Shure's SE215 is a professional-grade entryway to the world of on-stage monitoring.
Audio Technica ATH-E70: Positioned in the midrange, the Audio Technica ATH-E70 offers a significant improvement in sound quality over your first set of in-ear monitors, thanks to its three powerful drivers. It's the perfect upgrade for those seeking a more professional sound experience.
The sensitivity of the Pro X10 is rated at 114 dB SPL @ 1 mW, making it highly efficient and capable of producing a strong output from lower power sources. This feature is particularly beneficial for use with portable audio devices. Additionally, the impedance of 19 ohms ensures that the Pro X10 can be driven effectively by a wide range of equipment without requiring a powerful amplifier.
Noise isolation is another - possibly the main - standout feature of the Pro X10, with a passive noise attenuation of 25 dB. This level of isolation will allow you to focus on your work without the distraction of ambient noise, making it ideal for studio recordings and live monitoring in loud environments. The secure fit provided by the ergonomic design and the included range of silicone and foam ear tips ensures you’ll find a fit that works for you.
The Pro X10's build quality is exemplary, particularly given its sub-£200 price point. The detachable cable not only adds to the monitors' longevity but also allows for easy customization and replacement. Its braided design reduced some of the traditional tangling in my tests and resulted in minimal interference from cable noise during use.
From a usability standpoint, I found the Pro X10 to be extremely straightforward and user-friendly. The monitors come with a selection of ear tips, including silicone and foam options, allowing users to choose the best fit for their ears.
The inclusion of a carrying case adds convenience and protection for the monitors when not in use.
Westone Audio PRO X10 review: Final verdict
In conclusion, the Westone Audio Pro X10 in-ear monitors offer a pretty compelling combination of precision, comfort, and durability. While they may not provide the booming bass of some multi-driver alternatives, their clarity and accuracy in the mid and high ranges make them an excellent choice for musicians and audio professionals who prioritize detail and isolation.
For the money, and against some serious competition from the likes of the Shure SE215 and Sennheiser IE 400 Pro range, the Pro X10 delivers a reliable and immersive audio experience, making it a valuable addition to any musician's toolkit.
Westone Audio PRO X10 review: Specifications
- Type: In-ear monitors
- Frequency range: 20Hz to 16kHz
- Connection: 3.5mm jack
- Impedance: 19 ohms
- Drivers: Single balanced-armature
- Contact: Westone Audio
Chris Corfield is a journalist with over 12 years of experience writing for some of the music world's biggest brands including Orange Amplification, MusicRadar, Guitar World, Total Guitar and Dawsons Music. Chris loves getting nerdy about everything from guitar and bass gear, to synths, microphones, DJ gear and music production hardware.