MusicRadar Verdict
iPad music-makers need look no further for their stand solution.
Pros
- +
It's reliable, adaptable and a bargain.
Cons
- -
Confusing assembly.
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
As the iPad's processing increases and its range of apps grows more enticing, it finds itself increasingly propped up in studios and on stage.
For many reasons - creative chaos in the studio, crowd chaos while playing live - you need your pad to be sturdy, responsive and flexible so it can adapt to other equipment.
"For the studio, the desktop clamp and sturdy gooseneck attachment are lifesavers for hovering the 'Pad over a synth"
There's no shortage of stand and clamp accessories for iPad, but their set-and-forget nature means you've got to find the perfect spot and keep them there. This isn't always possible with an ever-changing stage setup or given the flexible functions of the iPad in the studio. Ultimate Support's HyperPad 5-in-1 iPad stand solves all these problems with one solution.
Putting the HyperPad together is a bit confusing - there are plenty of brackets, holders, screw parts and grips to deal with - but once you do you can fasten your perfect solution quite quickly.
For the studio, the desktop clamp and sturdy gooseneck attachment are lifesavers for hovering the 'Pad over a synth. The gooseneck can also be attached to the top of a mic stand for plenty of positioning flexibility.
A landscape and portrait mic stand attachment and a table-top kick-stand complete the 'five' functions (though really it's four).
“I have an original 909 – every time I try to use it I feel like I’m ruining it”: House hero Riva Starr on his studio essentials and his love of analogue synths
“A synthesizer that is both easy to use and fun to play whilst maintaining a decent degree of programming depth and flexibility”: PWM Mantis review
“I feel like that song had everything we needed to come back with”: Bring Me The Horizon’s Lee Malia on Shadow Moses, its riff and the secrets behind its tone, and why it was the right anthem at the right time
