MusicRadar Verdict
An interesting tool that just falls short of being essential.
Pros
- +
Sounds great.
Cons
- -
Sound-shaping not up to scratch.
MusicRadar's got your back
A minimalist electric piano plugin that, rather than aiming to emulate a Rhodes or other classic keyboard, treads its own modernist, FM synthesis-based path.
The' 'pencil on paint' interface makes it clear from first launch that Tines is meant to be a simple, accessible instrument, and that it certainly is. The raw tone is clean, crisp and suitably EP-esque, but it can be toughened up somewhat by raising the Low, Mid and/or High distortion sliders - although the saturation is so subtle that it feels more like applying EQ.
Tremolo is adjusted using an X/Y pad - Speed on X and Depth on Y - with the Phase slider offsetting the left and right channels for a range of ear- hopping stereo effects.
Finally, Decay extends the length of held notes, while the Air slider sets the mix depth of the built-in reverb,which, without any editable parameters, isn't hugely useful. Klevgränd's quirky plugin sounds quite lovely and, thanks to an under-the-hood velocity-sensitive, envelope-modulated filter, plays well; but it falls rather short in terms of sound-shaping. We'd particularly like to be able to harden and soften the attack transient - it is called Tines, after all!
Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

“Stealing the work, art and livelihoods of lyricists, songwriters and composers”: Ivors Academy warns Suno AI over its ‘lyrics generator’

“I was like, ‘Man, I hated your band. You ended my thing’”: Bill Burr told Eddie Vedder that he hated Pearl Jam because they “knocked out” ‘80s hair metal
![James Hetfield [left] and Kirk Hammett harmonise solos as they perform live with Metallica in 1988. Hammett plays a Jackson Rhodes, Hetfield has his trusty white Explorer.](https://cdn.mos.cms.futurecdn.net/mpZgd7e7YSCLwb7LuqPpbi-840-80.jpg)
"I remember showing up at 10 or 11 in the morning and working on solos and that leading to two or three o’clock in the morning the next day”: How Metallica beat the clock and battled fatigue to create a poignant and pulverising anti-war epic