MusicRadar Verdict
If deep, fascinating sounds, capturing all the energy and soul of the instruments from which they were elicited, appeal, then this is a must-hear.
Pros
- +
Tasteful collection of great-sounding samples, particularly guitar sounds. Very good interface.
Cons
- -
Perhaps not one for budding dance producers.
MusicRadar's got your back
Producer, solo artist and Porcupine Tree main man Steven Wilson has teamed up with EastWest producer and industry veteran Doug Rogers to produce this 63GB instrumental (plus a few vocals) library for the multitimbral Play engine (included), available on a pile of DVDs or a pocket USB 3 hard drive.
Comprising over 800 multisampled instrument patches, Ghostwriter is aimed at the "cinematic" composer, be they working in movies, games, TV or music. It's intended to be a source of high-quality 'alternative' bread and butter sounds, so we're talking guitars, basses, drums, keys, etc, rather than crazy synths and electronic tones.
The vibe throughout is epic, organic and big; Wilson has true insight into the tasteful use of ambience and distortion, and both are used extensively - and quite brilliantly - in most of the recordings and patches.
The latest version of the Play engine helps here, with its vast roster of convolution reverbs and a superb new amp simulation effect with 80 presets - not to mention the SSL channel strip and EP-1 Delay.
Guitars are by far the best represented category, taking in a staggering array of acoustics and electrics with plenty of keyswitched articulations to aid in creating realistic performances. The diversity of patches in the Bass section belies the fact that only three instruments were used to make them all.
Of the drums, the Mono Amp Kits are the grimy highlight, while the Keys folder is full of splendidly twisted and gutsy pianos, clavs, celestas and more. And although we wouldn't call it a headline, the folder of male and female 'Oohs' and 'Aahs' is sure to be useful for those panoramic movie moments.
Ghostwriter delivers a beautiful collection of instrumentation in an excellent interface. It's not really one for the dance music producer seeking fuel for their latest banger, but if deep, fascinating sounds, capturing all the energy and soul of the electric and acoustic instruments from which they were elicited, appeal, then this is a must-hear.
Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.
“You can get things out of it that you have no idea how you came up with”: Waleed on why he loves the Digitakt II, trusting his intuition and overcoming creative block
“I was running after some idea of happiness that wasn’t my own”: New documentary sheds light on the life and passing of EDM superstar Avicii
Chappell Roan x Billie Eilish x Wham!: Why two of the biggest songs of 2024 ended up being mashed-up with a Christmas classic