MusicRadar Verdict
Z3TA+ is immediately one of the best synths on iPad - just as it is on Mac and PC.
Pros
- +
Excellent synth sounds. Seemingly endless sound-shaping options.
Cons
- -
Endless tapping for incremental controls.
MusicRadar's got your back
Putting the dishwater-dull ScratchPad firmly behind it, Cakewalk's second iPad release is the one we've been waiting for: an iOS version of its phenomenal Z3TA+ 2 Mac/PC synth. And it's not a cut-down - this is the full Z3TA+ 2, enhanced in many respects by being on a touchscreen device.
Z3TA+ is an extraordinarily powerful six-oscillator (each with eight unison voices), dual-filter synth with a ridiculous amount of modulation onboard, including a "circular inter- modulation scheme" that enables each oscillator to hard sync or frequency/ring/phase modulate the next.
"The jewel in the crown is the extensive range of onboard oscillator waveshapes, which can be skewed, warped and generally reshaped"
The jewel in the crown, though, is the extensive range of onboard oscillator waveshapes, which can be skewed, warped and generally reshaped via 16 controls in the Shaper window to create some of the most complex, weird sounds you'll ever hear from a synthesiser.
There's a 16-slot modulation matrix (and yes, the Shaper controls are among its many targets!), six high-quality effects, an arpeggiator with over 300 preset note and gate patterns (or import your own via MIDI), and an X/Y controller for easy performance control.
Inter-App Audio and Audiobus are, of course, both supported, as is MIDI input, and around 500 presets from the 1000-strong Z3TA+ 2 library are included.
The only flies in the ointment are the endless tapping required to step through incremental controls (Tranpose, etc) - a really dumb system that needs replacing with conventional spinners or menus - and (understandably) rather high CPU usage with more involved patches. With so much control and information packed into the iPad screen, it can also be a bit overwhelming at times - synthesis newbies be warned!
Those minor points aside, Z3TA+ is immediately one of the best synths on iPad - just as it is on Mac and PC. It must be a strange feeling for major developers to have to price their iOS synths so much lower than their direct desktop equivalents, but their loss is very much our gain, as this essential app proves.
Computer Music magazine is the world’s best selling publication dedicated solely to making great music with your Mac or PC computer. Each issue it brings its lucky readers the best in cutting-edge tutorials, need-to-know, expert software reviews and even all the tools you actually need to make great music today, courtesy of our legendary CM Plugin Suite.

“We were always going to try to break boundaries and try new things”: It was the first No.1 pop single to feature rapping - and it came from Debbie Harry and Blondie

“I have to try and talk about the neck without sounding offensive or angry”: Johnny Marr says satin finishes have no business being on a guitar neck

“I don’t know why I’m apologising for Korg on their behalf…”: There’s a lot we love about Korg’s latest DIY synth – but it has one significant problem for owners of the original