MusicRadar Verdict
While not without its bugs, AME is a superb collective for the metal minded music maker.
Pros
- +
Fantastically realistic.
Cons
- -
Crash issues.
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
Beijing-based guitar emulation specialist AmpleSound has garnered high scores on these pages with their 'acoustic' Ample Guitar M and Ample Guitar T.
Running in the same host engine (VST/AU/AAX/RTAS/standalone), Ample Metal Eclipse is a 3.5GB virtual rendition of the ESP Eclipse I guitar, with eight articulations (Sustain, Palm Mute, Hammer On, Artificial Harmonic, Pull Off, Legato Slide, Slide In/Out) captured for every fret.
Sound shaping is done via the main controls and a rack of eight virtual effects pedals (no amp sims, though - you'll need to run it through your own), but what makes it 'metal' is the sound of the guitar itself, the low default tuning (C G C F A D) and the library of metal-orientated riffs included for loading into the Strummer sequencer. Tablature in various formats can also be loaded into the Tab player, and the engine does a superb job of playing it back.
AME sounds so astonishingly realistic and expressive that we can forgive its poor documentation, lack of presets and the standalone host's tendency to crash periodically.
“The highest quality and most flexible polyphonic synthesizer ever created in a pedal format”: Meris has unveiled the Enzo X – is this “fully polyphonic monster” a game-changer for synth pedals?
“There was a full moon and the curtains were open. Every time I looked up for ideas, I looked at the moon”: How teen prodigy Kate Bush created her timeless classic Wuthering Heights
“These things work for me and I am finding out a lot of other guitar players like ‘em too”: Paul Reed Smith loved his Charcoal Phoenix so much that PRS has released this rare bird in strictly limited numbers
