MusicRadar Verdict
Whether you favour a touch of breakup or a harmonically dense wall of sound, this pedal can get you there.
Pros
- +
Incredible sounds.
Cons
- -
None.
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
Though this pedal is hardly compact in an age of micro pedals, the sounds on offer make up for any inconvenience posed by its size.
From light drive to beefy, classic rock saturation and, with the treble turned up, even some modern rock chug, this pedal does it all.
The controls are simple - just volume, gain and a treble-controlling tone stack, but both the amount of volume on tap and the warmth of the clipping leave plenty of scope for combinations that will work with any amp to get that rich, classic drive.
Whether you favour a touch of breakup or a harmonically dense wall of sound, this can get you there.
Heart’s Nancy Wilson told Chappell Roan that she’ll be her "rock and roll auntie if you ever need any advice,” and she also co-wrote and recorded her favourite song
![Justin Hawkins [left] of the Darkness plays an open G on his offset electric and closes his eyes as he performs onstage; soul-reggae icon Johnny Nash [right] frets a chord on his acoustic and wears a patched denim jacket.](https://cdn.mos.cms.futurecdn.net/hWzCjD9ZWQiPPjMtTWiFfa-840-80.jpg.webp)
“It was probably the first time I’d ever sort of listened to one and gone, ‘What is that? I want to learn how to do that!’”: How a soul and reggae legend introduced the Darkness' Justin Hawkins to diminished chords
"This risked giving consumers the misleading impression that platinum tickets were better”: Ticketmaster criticised over Oasis reunion tickets debacle, but this time it's got nothing to do with dynamic pricing
