MusicRadar Verdict
A well-built, well-designed keyboard that’s great with Ableton Live, but handy for hardware control too.
Pros
- +
Tight control of Ableton Live.
- +
Decent compatibility with Logic Pro X.
- +
Nice compromise between size and functionality.
- +
MIDI output, custom modes allow use with external hardware.
Cons
- -
Lacks the obvious USP of some of its ‘Mk3’ counterparts
MusicRadar's got your back
What is it?
Novation have been gradually updating their MIDI keyboard controller line over the past couple of years, bringing each in line with the company’s ‘Mk3’ generation.
The Ableton Live-focussed Launchkey range is one of the last remaining corners of the product line to receive an update, so much of what’s new here will be familiar to any users who’ve encountered the latest Launchpads or the pint-sized Launchkey Mini.
Common to all of Novation’s ‘Mk3’ devices is a sleek, matte-black look and low-profile design, along with a series of new features designed to take advantage of updated elements of Ableton Live.
These include a button to activate Live’s Capture MIDI tool, along with Push-style device-control, which here makes use of eight rotaries sat along the top of each controller.
As with several other ‘Mk3’ controllers, these latest Launchkeys also gain excellent standalone Chord, Scale and Arpeggiator modes, which can be used with or without a computer. All controllers in the Launchkey range gain a hardware MIDI out, so users can take advantage of these features to control hardware synths too.
Performance and verdict
New for the Mk3 Launchkeys is a 37-note version, on review here, adding a fourth option to the range alongside the 25, 49 and 61-key variants. It’s a smart move; the Launchkey 37 is compact and convenient but doesn’t feel as limited as a 25-note keyboard.
Here Novation have moved the pitch and mod wheels to sit above the keyboard, rather than beside it, cutting the overall length of the hardware itself. This might irritate some players, but overall it seems like a smart design concession.
The Launchkeys are primarily aimed at Ableton Live users, and it’s hard to fault the seamless compatibility here, allowing for tight navigation and hands-on control
Aside from the number of keys, the only difference between the 37 and 25 and their larger counterparts is the presence of eight channel faders on the top-end controllers.
Other than that, all the Mk3 Launchkeys are similarly equipped with 16 backlit, velocity-sensitive pads, eight rotaries, a compact parameter screen and a decent crop of buttons for browsing and transport control.
• Novation Launchkey Mini Mk3
The Launchkey Mini is an excellent compact controller, whether it's used with Ableton Live or not. A tidy free plugin bundle sweetens the deal for beginner producers, while more experienced users will appreciate this as a great tool for production on the go.
• Arturia KeyStep MIDI keyboard
With lots of functionality and flexibility packed into a convenient and affordable package, the KeyStep gets a big thumbs-up.
Both the pads and the keyboards themselves have been upgraded for this generation, and both feel great with decent velocity response (although no aftertouch).
The Launchkeys are primarily aimed at Ableton Live users, and it’s hard to fault the seamless compatibility here, allowing for tight navigation and hands-on control of plenty of the DAW’s features.
Ableton’s own Push controller is still only available in clip launcher/pad form, so the Launchkey is as close as you’re likely to get to a definitive keyboard controller for Live.
There’s a decent level of control offered here for Logic Pro X too, as well as access to Novation’s flexible Custom modes, which can be set up through the company’s Components software. As well as allowing custom MIDI mappings, this lets the Launchkeys send CC and program change messages for more advanced control of external hardware.
In all, this is a very well-designed and well-priced mid-level controller. While, perhaps, the Launchkey range doesn’t have an instant USP like the Launchpad Pro with its multitrack sequencer, the CV-equipped SL range or the tiny, ultra-portable Launchkey Mini, you’ll be hard-pushed to find a better Live-centric keyboard, and there’s little here not to recommend.
MusicRadar verdict: A well-built, well-designed keyboard that’s great with Ableton Live, but handy for hardware control too.
The web says
"Having such a wealth of creative options that make solid musical sense is an obvious plus point. Often, chord and key modes can be restrictive, and only work in a one-dimensional fashion. But the Launchkey MK3’s Scale, Chord and Arpeggiators modes are all terrifically powerful, and will undoubtedly inspire users."
MusicTech
"Older Novation MIDI keyboards felt a little flimsy and cheap in my honest opinion. This couldn’t be any further than what the MK3 is all about. I love the matte finish and I also really enjoy the overall size and feel of the keyboard. Personally, I dig the smaller screen, but others may prefer it to be a little bit bigger.
KeyboardKraze
Hands-on demos
loopop
Taetro
Ave Mcree
Specifications
- KEY FEATURES: 37-note MIDI keyboard designed for Ableton Live, but also compatible with Logic Pro X as well as various other hardware and software uses via Custom mode. Includes onboard Scale, Arp and Chord modes. Bus powered.
- I/O: MIDI out, USB, sustain pedal in
- CONTACT: Novation
I'm the Managing Editor of Music Technology at MusicRadar and former Editor-in-Chief of Future Music, Computer Music and Electronic Musician. I've been messing around with music tech in various forms for over two decades. I've also spent the last 10 years forgetting how to play guitar. Find me in the chillout room at raves complaining that it's past my bedtime.
![Billie Eilish and Finneas](https://cdn.mos.cms.futurecdn.net/d5ddv6XxU4JBJspsqet4Ao-840-80.jpg)
It might not have won her a Grammy, but Billie Eilish’s Birds of a Feather is the Record of the Year nominee that most guitarists and pianists want to play
![Timothée Chalamet as Bob Dylan in a black-and-white still from A Complete Unknown. He plays a Gibson J-45.](https://cdn.mos.cms.futurecdn.net/LDPGq5R3S9f54jDHkSG5ZG-840-80.jpg)
“It dawned on me, ‘Wow! I think that we’re learning how to do this just how Bob learned how to play’”: How Timothée Chalamet went from a complete guitar novice to become Bob Dylan onscreen
![Black Sabbath in 1970](https://cdn.mos.cms.futurecdn.net/FH2sbXxi58RPd7jeFTkDGg-840-80.jpg)
“I thought it was too pop. I rebelled against it”: How Ozzy Osbourne learned to love a song that was written and recorded in one hour and ended up becoming Black Sabbath’s biggest hit