Walden D810 review

Image 1 of 5

Walden D810

Bridge

Nut

Neck

Back

Affordable acoustics are reach new levels of quality, Walden's new 800 series acoustics prove as much. Here we look at the D810 dreadnaught...

On the face of it, Walden is yet another guitar brand looking to make a dent in the budget acoustic market. But this isn't your average Asian-made guitar; it has a serious boutique pedigree, thanks to the presence of ex-Charles Fox luthier John Lee in the design chair.

Like our Brit-designed and Asian-made Tanglewood and Faith brands, for example, Walden now also offers very affordable solid wood instruments, the previous start-point being the Condora level with SRPs of £635. Below that, the Natura 700 series boasted solid tops and backs with laminated sides at £359. Announced earlier this year, however, is the four-strong Natura 800 series that boasts all-solid Engelmann spruce or Western red cedar tops with solid Indian rosewood back and sides.

The acoustic we have here comes from the most affordable end of the series, and costs just £407. So what? Well, if similarly spec'd guitars were made by Taylor, for example, you'd be looking at paying a couple of grand more.

Oh, and any vintage-obsessives out there, this (like all the 600, 700 and higher-end Walden guitars) features a nitrocellulose finish. On paper at least, here's a brand perfect for our penny-pinching times.

Punching above

Our sample is impressively clean in terms of build, not least the satin nitro finish, which not only looks extremely classy, it is evidently thin and very evenly applied. The internal scalloped X-bracing, lining and back brace all have commendable sharpness and the binding, purfling and the central back strip, not to mention the abalone centre soundhole rings, are all pin-sharp.

A little too sharp, perhaps, are the edges of the white plastic binding - a bigger curve here would help, especially if you're a bold strummer, to protect the skin on your inner right forearm.

The solid rosewood back and sides might not be the most decorative in terms of grain but the rich, deep chocolate hue is very appealing and barks quality, frankly well above its price.

The guitar sports a very acceptable mahogany neck, too - quartersawn for maximum stiffness with a spliced headstock and an additional heel piece. It's a bolt-on and the large fixing-bolt is clearly visible on the neck block.

Hidden from view are two glass fibre reinforcement rods placed either side of the dual action truss that's adjustable through the soundhole. While the higher-level Waldens use carbon fibre rods and numerous brands, including Taylor and Takamine, use similar metal rods, we're not sure if we've encountered any other brands with glass fibre rods before.

Even though the guitar's fingerboard is constructed from bound rosewood and the small-gauge fretwork is pretty tidy, it needs a little TLC: the strings felt a little, well, cheap; the frets rather scratchily topped. That's common enough for a guitar at this price but it's unbelievable how a quick fret rub, a little fingerboard lemon oil and new strings transform it in terms of playing feel.

The nut and saddle, typically for Walden, is made from Graph Tech's Fossalite. It's good to see the compensated saddle, too, which produces excellent intonation. Yes, you'll need to add a little lubrication to those string grooves, but again, these minor setup issues are not exclusive to this brand at these prices.

Feel and sounds

The generic D810 dreadnought with its clean Engelmann spruce top and slightly deeper 'square' body doesn't have a huge amount of low end and has a bright edged 'new' voice. Yet as our playing time with it increases the dreadnought's more generous low end almost seems to have a dip in the mids.

Recording the guitar is revealing. Strummed parts on the D810 sit well with a drum kit and deeper bass line - that trim low-end depth works well to give the guitar its own space. Recording the same parts with a Martin dreadnought, we need to trim some lows to stop it clouding the bass guitar and bass drum.

Played solo, however, if we're honest a little more depth would be preferred on both guitars. That said, dropping down to open G and open D tunings certainly brings welcome warmth to what is a slightly dry tonality.

The last time we looked at a Walden was in issue 364 with the rather fine B1 acoustic baritone. That instrument's modernism isn't outwardly evident here: this guitar is more generic in style and sounds a little new; it also needed a little work and its nut slot sorting, especially if you're changing tunings a lot.

But par for the course? At this price, we think so. The guitar also utilises some usually higher-priced features, especially in the neck's construction, while the all-solid wood build means that you should really expect to hear a tonal improvement the more you play it. We'd honestly say we did.

It works well for recording and we'd definitely like to experiment with possibly a heavier string gauge and some richer sounding ropes. But at this price, either as a serious start-up guitar or more likely additional instrument, we'd suggest Walden is a brand that needs to be added to your audition list.