MusicRadar Verdict
A compact fuzzbox that will cover a lot of options for your preferred sound.
Pros
- +
Crisp fuzz tones. Single notes sustain for ages. Affordable.
Cons
- -
Not much.
MusicRadar's got your back
Valeton describes the Lazaro as a Modern Fuzz, which, for a company that isn't shy in saying what its pedals are based on, means that it's not a slavish clone of a vintage classic. (although we have to say that it can sound a lot like a Big Muff on certain settings).
"Roll back your guitar volume and it'll seem more like overdrive"
What you are getting is a pretty versatile fuzz with tone knobs that can make things sound nasty if that's your thing.
With Fuzz up full and tone controls fairly neutral, the tone is fat and squidgy but with a nice crisp edge: great for digging in for single note solos that will sustain for ages.
Roll back your guitar volume and it'll seem more like overdrive. At lower levels of the fuzz knob you'll find harder fuzz sounds suitable for taut riffing and chording.
Trevor Curwen has played guitar for several decades – he's also mimed it on the UK's Top of the Pops. Much of his working life, though, has been spent behind the mixing desk, during which time he has built up a solid collection of the guitars, amps and pedals needed to cover just about any studio session. He writes pedal reviews for Guitarist and has contributed to Total Guitar, MusicRadar and Future Music among others.
“If they were ever going to do the story of Nero, probably the most decadent of all the emperors, they would have to use Roy Thomas Baker”: Tributes to the legendary producer of Queen, Alice Cooper, Journey and more
“Built from the same sacred stash of NOS silicon transistors and germanium diodes, giving it the soul – and snarl – of the original”: An octave-fuzz cult classic returns as Jam Pedals resurrects the Octaurus
What’s the buzz? Meet Yellowjacket, Cherry Audio's recreation of EDP’s trend-setting Wasp from 1978