MusicRadar Verdict
Few can top the Classic Vibe when it comes to nailing that authentic Strat mojo.
Pros
- +
Excellent build quality. Nice, rounded tones.
Cons
- -
Might struggle to cut through.
MusicRadar's got your back
So what's the difference between this and the recently reviewed Squier Classic Vibe '50s Strat?
First, there are the finishes: the one you see here is Burgundy Mist, and were Prince a cash-strapped student, we could imagine him saving his purple pennies for this sexy number.
"If you find vintage-voiced Strats too spiky, this fits the bill"
There are a number of other subtle differences, too; most obvious is the rosewood fingerboard, but the two-ply Mint Green scratchplate and skunk-less maple neck are also faithful to Fender's 60s tweaks.
The biggest tonal differences come via the rosewood 'board; where the maple '50s Strat carries a neutral mid character with extra treble, the '60s Strat has a more scooped sound with a deeper low end and more high-end roll-off.
If you find vintage-voiced Strats too spiky, this fits the bill, while the rosewood will also suit players looking for a softer touch.
Adding overdrive accentuates the differences; it's hardly night and day, but you could find it tougher to cut through with the '60s model, although that's nothing a good Tube Screamer won't sort out.
It's worth noting that build quality on our review Strat was nothing short of excellent, with tight neck joints, well-applied finishes and superbly fitted frets, while both vibratos were as smooth as butter, with top-notch tuning stability.
In this price range, you can land more versatile double-cuts from Yamaha, G&L and Fret-King, but few can top the Classic Vibe when it comes to nailing that authentic Strat mojo.
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.

Ranked: Moog’s semi-modular ‘Mother’ synths from worst to best

“If it wasn’t for that song, that would have been the end of the band”: How one track’s sudden gear-switch led Coldplay into their imperial phase

“He was like, ‘You’ve got it all wrong, man": Mumford & Sons reveal what Neil Young told them about the way they were approaching their live shows and album recordings