Rainger FX Echo-X review

The digital delay with X-pression factor

  • £119

MusicRadar Verdict

The Echo-X is a perfect blend of untameable and controllable.

Pros

  • +

    Great sounds.

Cons

  • -

    A little sensitive.

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It makes some of the UK's most eccentric pedals, such as the Dr Freakenstein Fuzz, but recently Rainger FX has focussed on mini-pedals, and the Echo-X is the latest - a digital delay with real-time control, courtesy of the included Igor pressure pad.

First, a whistle-stop tour: level, rate and feedback handle your usual delay duties, while input controls the input level and volume handles the overall output. Two push-buttons determine the Igor's functionality: push the right button in to adjust feedback, out to adjust rate.

The left button activates the send function: this leaves your signal dry until you step on the Igor, which re-engages the delay; step off and the pedal loops the current repeats so you can play unaffected over the top - great for atmospheric intros.

It all adds up to a wealth of entertaining pitch swoops and oscillation revs, although the core delay tone is pretty tasty, too, courtesy of the PT2399 chip (as used in many boutique delays), which delivers a slight low-and high-end roll-off for an analogue flavour. 540Ms is your max delay time, though repeats tend to get a little crunchy beyond 350ms.

Michael Astley-Brown

Mike has been Editor-in-Chief of GuitarWorld.com since 2019, and an offset fiend and recovering pedal addict for far longer. He has a master's degree in journalism from Cardiff University, and 15 years' experience writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as 20 years of recording and live experience in original and function bands. During his career, he has interviewed the likes of John Frusciante, Chris Cornell, Tom Morello, Matt Bellamy, Kirk Hammett, Jerry Cantrell, Joe Satriani, Tom DeLonge, Radiohead's Ed O'Brien, Polyphia, Tosin Abasi, Yvette Young and many more. His writing also appears in the The Cambridge Companion to the Electric Guitar. In his free time, you'll find him making progressive instrumental rock as Maebe.