MusicRadar Verdict
An impressively powerful instrument in every way - you can't fail to be heard and felt with this.
Pros
- +
Individual style; powerful funky tones with volume to spare.
Cons
- -
It's rather heavy and unbalanced.
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
The Void IV is a full-scale bass with a metal-looking reverse body shape that features neck-through-body construction and an 18-volt active circuit. For a bit more class, the bound 'board is ebony and sports an aluminium 'fin' inlay at the 12th fret.
Furthermore the unusual headstock is chamfered in the shaped 'V'-section to reveal the wood beneath - all of which makes this a pretty unusual design. It's available in gloss red, white or black, plus matt black, has a brushed aluminium finish pickguard and comes with a Coffin Case gigbag.
Sounds
With an active three-band EQ layout and a pair of Peavey's VFL pickups, the Void's circuitry has much in common with Peavey's popular Cirrus bass and it produces a good range of solid sounds. By using the blend control you can mix and match the VFL active pickups as you wish to unleash a varied tonal punch that is both funky and penetrating.
All in all, this is a stylish addition to Peavey's bass range, with striking looks that mean you can't help but be noticed, and a stunning range of powerful sounds.
“I need to build a sound of my own that has the power that I want”: Floating Points hates festival sound systems so much that he’s invented his own
“How daring to have a long intro before he’s even singing. It’s like psychedelic Mozart”: With The Rose Of Laura Nyro, Elton John and Brandi Carlile are paying tribute to both a 'forgotten' songwriter and the lost art of the long song intro
“I had a blast. Thank you”: Original Beatles drummer Pete Best retires, aged 83
