MusicRadar Verdict
Despite the cost this is great fun, and if Ed's your hero it's unlikely that anything else will do.
Pros
- +
The authentic tone. That Unchained preset.
Cons
- -
High price.
MusicRadar's got your back
Flangers can often be the most unsubtle of effects and, if you're not careful, they can smother your carefully crafted tone with all manner of jets, swirls and wooshes.
Trust Edward Van Halen to use such a device to give a further injection of pace into a number of the band's classic riffs. Most notably it's the intro riff to the track Unchained (from 1981's Fair Warning) that benefits and, in a stroke of impressive forethought, MXR have included that setting as a preset.
This pedal operates in the usual manner but, if you have the small EVH button depressed when you turn the pedal on, you have just the right setting to play that iconic riff. MXR's EVH Phase 90 is resplendent in the trademark red, white and black stripes, and the livery here is from an even earlier period: the original black and white paint job from Edward's Frankenstein Boogie Bodies guitar.
What's more, certain parts of the front panel glow in the dark. Power comes from a pair of standard nine-volt batteries and, as you'd expect, the pedal is built like a tank. Regardless of the undeniable quality across the board here, that £215 price tag is very difficult to swallow - a BOSS BF-3, for example, is just £89.
Sounds
As a generic flanger the modulation is warm and organic with plenty of headroom within all four controls. As with all flangers, it's best used sparingly for maximum effect.
MusicRadar is the internet's most popular website for music-makers of all kinds, be they guitarists, drummers, keyboard players, DJs or producers.
GEAR: We help musicians find the best gear with top-ranking gear round-ups and high-quality, authoritative reviews by a wide team of highly experienced experts.
TIPS: We also provide tuition, from bite-sized tips to advanced work-outs and guidance from recognised musicians and stars.
STARS: We talk to artists and musicians about their creative processes, digging deep into the nuts and bolts of their gear and technique. We give fans an insight into the actual craft of music-making that no other music website can.

Ranked: Moog’s semi-modular ‘Mother’ synths from worst to best

“If it wasn’t for that song, that would have been the end of the band”: How one track’s sudden gear-switch led Coldplay into their imperial phase

“He was like, ‘You’ve got it all wrong, man": Mumford & Sons reveal what Neil Young told them about the way they were approaching their live shows and album recordings