MusicRadar Verdict
Vintage Marshall-style mojo in a box.
Pros
- +
Plenty ot output. Marshall-style tone. Nice build.
Cons
- -
Not much.
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
The Marshall-in-a-box style of overdrive/distortion pedal is becoming a staple of many makers, and different companies opt to emulate different vintages of Marshall. JHS says that the Charlie Brown is voiced to replicate the tone of a mid-60s JTM45.
"It can give your amp that overdrive/distortion voice with a distinctly British flavour"
There's plenty of output here to offer a useful boost to your amp from about midway on the volume knob and turning up the drive knob yields degrees of dirt from grittiness, through increasing levels of raunch to the full overdrive you'd get running an early Marshall at full whack, all usefully controlled with guitar volume.
The tone knob covers a wide range that will get you in the right ballpark, but it's the presence knob that lets you fine tune the top end to complement your amp.
This is a fine overdrive pedal anyway, but if you have a hankering after a Marshall tone, it can give your amp that overdrive/distortion voice with a distinctly British flavour.
“Instead of pairing a new booster inside this new pedal, think of it as changing lanes inside the pedal”: Mythos and That Pedal Show team up for the Argo Boost Deluxe – an octave fuzz with a switchable boost
“I didn’t even realise it had synthesizer on it for decades”: This deep dive into The Beatles' Here Comes The Sun reveals 4 Moog Modular parts that we’d never even noticed before
“I saw people in the audience holding up these banners: ‘SAMMY SUCKS!' 'WE WANT DAVE!’”: How Sammy Hagar and Van Halen won their war with David Lee Roth
