MusicRadar Verdict
Three levels of dirt in a single pedal with excellent onstage switching options.
Pros
- +
Versatile switching. Two overdrives in one housing. Wide range of tones.
Cons
- -
The cut knob is a bit fiddly.
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
Like its sister pedal, the Jetdrive, the GS3 has two channels that can be used independently or cascaded, with each one having a unique voice and gain structure.
More flexibility is provided by a third footswitch that operates an overall bypass regardless of the on/off status of the channels. Each channel is capable of producing usefully different sounds.
"With two channels cascaded there's a huge palette of full-bodied overdrive available."
Both function nicely as clean boosts and, while channel one features the milder overdrive and a rear-panel 'cut' knob that controls presence, channel two is higher gain and is voiced not unlike a Marshall 'Plexi'.
With two channels cascaded there's a huge palette of full-bodied overdrive available.
Transform your voice in just 12 months - score a year’s worth of vocal lessons for just $99 with 30 Day Singer
Teenage Engineering celebrates 10 years of the Pocket Operator, the "world’s most affordable and accessible music machine"
“The solos were not planned, they were spontaneously playing off of each other. We were really good at that": Joe Walsh tells the story of the Hotel California solo
