MusicRadar Verdict
Valve-like overdrive that works well with single notes or chords.
Pros
- +
Sweet sustaining overdrive. Dual input/output options.
Cons
- -
Not much.
MusicRadar's got your back Our team of expert musicians and producers spends hours testing products to help you choose the best music-making gear for you. Find out more about how we test.
The Klassic Drive is Fret King man Trevor Wilkinson's take on 'low-gain' overdrive pedals such as the revered Klon Centaur, from where it takes its inspiration - hence the spelling.
"The pedal is capable of a range of overdriven sounds from just beyond clean and up"
With a classic three-knob array of gain tone and level, the pedal is capable of a range of overdriven sounds from just beyond clean and up. Should you require a clean-ish boost, you can get it by turning up the level with the gain knob at minimum, but it's this knob that brings in sweet sustaining overdrive.
Its sonic variation is courtesy of a tone knob, which covers a practical range with plenty of top end should you need it, getting strident but not nasty.
This is a pedal that can work with really clean amps, giving them an alternative overdriven channel, or can be used with an already overdriven amp to just add more.
By the same principle it works really well in conjunction with either of the (recently reviewed) Fret-King Power or Clean boost pedals, driving it even further and adding an extra layer of versatility.
“A synthesizer that is both easy to use and fun to play whilst maintaining a decent degree of programming depth and flexibility”: PWM Mantis review
“I feel like that song had everything we needed to come back with”: Bring Me The Horizon’s Lee Malia on Shadow Moses, its riff and the secrets behind its tone, and why it was the right anthem at the right time
“I said, ‘Are we sure we can write a song about death?’”: The story of Mike + The Mechanics' classic No.1 The Living Years
