“Easy to use, with very desirable saturation-style effects”: Universal Audio Verve Analog Machines review

Want to add some verve to your mix? UA has just the plugin to help. We turn up the heat with some toasty virtual tech

  • £49
  • €58
  • $62
Universal Audio Verve Analog Machines
(Image: © Universal Audio)

MusicRadar Verdict

This engaging plugin is easy to use, with very desirable saturation-style effects. Just plug-and-go for instant analogue charm.

Pros

  • +

    Huge variety of distortion and saturation effects

  • +

    The user interface is a total delight

  • +

    Solid state meets tape-based saturation

  • +

    Helpful set of presets included

Cons

  • -

    Only allows basic control

  • -

    It’s not cheap (look out for discounts)

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Universal Audio Verve Analog Machines: What is it?

At a glance

macOS 10.15 Catalina or newer
Windows 10 and 11
Buy at Plugin Boutique

Distortion comes in many shapes, sizes and colours, and while it immediately conjures images of rock guitarists, subtle degrees of distortion can enhance everything we hear, from the sound of a cool synth to an entire mix.

Many of the more desirable distortion-based effects reside in the hardware domain, costing a small fortune, even at secondhand prices. Thankfully Universal Audio has been on a plugin crusade for many years, providing the analogue colour we yearn to hear, in a DAW-based world.

Enter Verve Analog Machines, a compendium of 10 differing but complementary models, each in the style of a particular piece of hardware. 

Universal Audio Verve Analog Machines

(Image credit: Universal Audio)

Universal Audio Verve Analog Machines: Performance and verdict

The 10 options are selected via a beautiful graphic, which forms the central component of the user interface. It’s easy enough to work out the style of emulation from the picture, but the models breakdown to six different examples of tape machine, and four examples of solid state devices.

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Unlike other Universal Audio plugins, there are no particular device names attached to the machines that you see in the plugin window. You can certainly make some educated guesses, but the description of your chosen effect is provided by way of an adjective. Most of these are obvious enough, but for further embellishment or clarification, you can visit the UA website for a more detailed critique.

One thing that all of the 10 models have in common is that each deliver a degree of graphical interplay, once engaged with a track. The tape machine reels whirr, while the solid state devices tend to display some form of response by way of a reactive light, to demonstrate signal strength. 

You activate a model by clicking one of the associated coloured buttons, from the top of the plugin window, or you can shuttle left and right, clicking on the next obtainable graphic.

The control you have over the outputted signal is relatively basic. Each of the solid state devices provides a Drive pot with an accompanying Tone control. There’s no input control, only metering, but you can change the outputted signal via a fader below the meter.

Mostly, the resultant tone is engaging and exceptionally effective. Like many similar plugins, you do have to be a little careful. The models described as Edge and Distort can certainly be driven to an unhealthy extreme. Pair this with the option of harsh high-end colours, which can be engineered from the Tone control, and Verve can sound exceptionally overbearing. However this serves as an invite to pull back from the brink, settling on something that feels far more pleasing and refined.

Universal Audio Verve Analog Machines

(Image credit: Universal Audio)

The tape models, on the other hand, provide a Drive control and a Warble effect. The latter is associated with wow and flutter, and can induce substantial degrees of tape-based modulation, if required. With model descriptions such as Sweeten, Warm and Thicken, these models vary and contrast nicely against the solid state definitions, although there is a fair degree of crossover. The resultant second harmonic-style tape distortion is really effective and very workable, especially if used as part of a mastering or output chain.

In terms of outputted quality, it’s a plush suite; it could easily become a regular feature of a DAW template

Overall, Verve Analog Machines is a beautifully compiled set of effects, which are perfect for applying at the individual instrument level, or better still, at the mix level. Combining subtle saturation on the output of your DAW with some back-end compression, could substantially enhance the quality of your emitted audio. In terms of outputted quality, this is a very plush suite, which could easily become a regular feature of a DAW template.

MusicRadar verdict: This engaging plugin is easy to use, with very desirable saturation-style effects. Just plug-and-go for instant analogue charm.

Universal Audio Verve Analog Machines: Hands-on demos

Universal Audio

Introducing Verve Analog Machines - YouTube Introducing Verve Analog Machines - YouTube
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Dom Sigalas

GET This while it's FREE. Seriously. Universal Audio Verve Analog Machines - YouTube GET This while it's FREE. Seriously. Universal Audio Verve Analog Machines - YouTube
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Audio Tech TV

Must-Have Saturation: UAD Verve Analog Machines Essentials - YouTube Must-Have Saturation: UAD Verve Analog Machines Essentials - YouTube
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Sweetwater

Universal Audio Verve Analog Machines: Vintage Saturation & Unlimited Virtual Convenience - YouTube Universal Audio Verve Analog Machines: Vintage Saturation & Unlimited Virtual Convenience - YouTube
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Universal Audio Verve Analog Machines: Specifications

Roland Schmidt

Roland Schmidt is a professional programmer, sound designer and producer, who has worked in collaboration with a number of successful production teams over the last 25 years. He can also be found delivering regular and key-note lectures on the use of hardware/software synthesisers and production, at various higher educational institutions throughout the UK