MusicRadar Verdict
We don't think this will replace off-the-peg drum mats, but it's certainly a desirable accessory to have ready in among your hardware, just in case.
Pros
- +
Keeps acoustic drum kits in place. Works on any floor type. Flexible material.
Cons
- -
We prefer normal drum mats.
MusicRadar's got your back
Softapads is the company responsible for improving neighbourly relationships with its noise-cancelling/muffling systems for drummers. It may now have found the solution to another age-old problem - that of sliding drums - with its latest product SoftaMats.
Endorsed by drummer Matt Letley from Status Quo, SoftaMats are aimed at all musicians where stability is a requisite for their instruments, effects pedals and so on.
These anti-creep, anti-slip mats are designed for any flooring, whether tiled, vinyl, laminate or just plain slippery.
If a venue has such a stage or flooring, this can spell disaster for your bass drum technique. Sliding drums and hardware can be one of the most frustrating and off-putting things to happen on stage (second only to being heckled!), ruining that much-needed concentration with the need to hoik back the bass drum every couple of bars.
Build
SoftaMats come in a pack with two sheets of rectangular-shaped neoprene-type rubber, measuring approximately 46cmx20cm, with a thickness of 3mm.
This dense, hardwearing material has been "tried and tested by musicians for durability, reliability and strength of grip" and is similar to the sort of rubberised compound found on door and car mats.
These models have a slightly tacky smooth side and a rougher downward-facing side, and are extremely flexible.
Hands On
We placed one of the mats on a smooth wooden floor and tried to slide it along with just the weight of our feet, and it held it firmly in place.
While using the Gear4Music WHD e-kit, we had a slight problem with the bass pad sliding around on a carpeted surface, even though the unit had small rubber feet.
So again, out came one of the SoftaMats. We put this under the pad assembly, and again it stopped it from slipping around.
Impressed so far, we still felt the acid test would be to check out the mats with an acoustic kit.
One mat went under the bass drum pedal, the other sharing the hi-hat and left-hand remote pedal from our double bass drum pedal.
The hi-hat pedal is designed to be used in conjunction with a double bass drum pedal and can be a tad unstable on some surfaces. After a pounding, the bass drum pedal wouldn't shift and the hi-hat remained exactly in place - problem solved!
There are occasions when it's just not practical to take along a traditional large drum mat to a gig, or the venue may be too tight to squeeze one in, and here the SoftaMat will be essential.
"I'm like, I'm freaked out right now. I'm scared. I feel like I'm drowning on stage and I feel like I'm failing”: SZA on that misfiring Glastonbury headline set
“It sounded so amazing that people said to me, ‘I can hear the bass’, which usually they don’t say to me very often”: U2 bassist Adam Clayton contrasts the live audio mix in the Las Vegas Sphere to “these sports buildings that sound terrible”
"Even if people think it is ludicrous, it's an entry point. And people were just ready for a bit of fun”: Blossoms explain why they named their album Gary