Reviews archive

November 2024

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23 articles

November 29
- "The engineers at Pianote have done a great job replicating the feel of an acoustic piano": Pianote Prima digital piano review
- "Warm, round, with a chewy mid-range that simply begs to be fed pentatonic licks, this amp sounds fantastic": Fender Tone Master '59 Bassman amp review
November 28
- “A wonderful blend of multitimbral synth hardware with clip style sequencing, wrapped up in a solid, performance-based module”: Mayer EMI MD850 Vibes review
- "A great beginner keyboard, and a potential gateway into electronic music making in general": Roland Go Keys 3 and 5 review
November 26
- “Launchkeys are a reminder that sometimes a keyboard is still what you need, even with Ableton Live”: Novation Launchkey MK4 25 and 37 review
November 19
- “With the room calibration and support software, it's the most flexible mini monitor we’ve tried”: IK Multimedia iLoud Micro Monitor Pro review
November 18
- "This might be the most affordable guitar from Strandberg, but you wouldn’t notice": Strandberg Boden Essential review
November 17
- “A well-priced synth workstation – just don't expect a 1980s Juno”: Roland Juno-D7 review
November 15
- “I think that a specific drawback of this guitar could make it unsuitable for regular live use, but it’s still an inspiring acoustic for the home”: Yamaha TransAcoustic TAG3 C review
November 13
- “Delivers an interesting mix of retro flavour, and contemporary functionality”: Heritage Audio i73 Pro 2 review
- "A guitar that looks a million bucks and is sure to turn heads": Epiphone Inspired By Gibson Jimi Hendrix 'Love Drops' Flying V review
November 12
- “An irresistible blend of Fender and Gretsch DNA”: Gretsch Electromatic Jack Antonoff Signature CVT Double-Cut review
- "A late contender for 2024’s best new synth": Polyend Synth review
November 11
- “The overall quality of sound, not least for the price, is exceptional": PRS SE Custom 24 Semi-Hollow Piezo review
November 7
- “An amazing sounding product, and very capable thanks to its augmentation in operation, geared towards ultimate creativity”: GForce Oberheim OB-1 review
November 6
- “The beauty of Anti is that it is way more than just a 5150 emulation”: Universal Audio Anti 1992 High Gain Amp pedal review
- "This is a very impressive neck experience for a guitar at this price": Harley Benton TE-62DB review
- “Musicians that have invested in the platform over the years deserve more than this”: Native Instruments Maschine 3.0 software review
- “An easy door into film score creation, and a wealth of creative possibilities”: Sonuscore The Score review
November 5
- “Will breathe some vintage life into any sterile DAW and has some quality components all wrapped up in a tidy and easy workflow”: Harrison/SSL 32Classic Channel Strip review
November 4
- “A great value phaser plugin with movement, powerful peaks, dirt and drama”: Minimal Audio Ripple Phaser review
November 1
- “At full bore, it’s brilliant fun for doomy metal riffs and speaker-blowing Stooges-style punk”: Beetronics Tuna Can Fuzz Pedal review review
- “With the polyphony and effects it has effectively ‘crossed the line’ into all-new polyphonic Brute territory”: Arturia MiniBrute V review