Reviews archive

July 2024

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28 articles

July 30
- “The range of tones you can find is enormous”: RYK Algo review
July 29
- "A great set of workhorse 'phones to use for monitoring, recording and AB mixing": AKG K271 MKII review
- “A sizeable upgrade which goes a considerable way beyond basic pitch correction”: Antares Auto-Tune Pro 11 review
July 28
- “A joy to use, offers a vast array of features and works on just about any genre”: Cycle Instruments Tetrachords review
July 27
- "Bitwig finally has a suite of unique, flexible effect tools to match its creative ambitions": Bitwig Studio 5.2 review
July 26
- “Refreshing approach to drum programming and impressive sound quality”: Sampleson Drumbada review
July 24
- "These are the antithesis of common-or-garden cymbals, but they deliver exactly what you’d hope, at a very affordable price point": Zultan Dune series cymbals review
July 23
- “The tone is simply spectacular, and now at 50 watts, the amp feels more powerful and assertive than ever before”: Positive Grid Spark 2 review
July 22
- "While there’s plenty of new technology at play here, the Standard Plus comes across as a very well-turned-out instrument with ultra-precise machining and finishing": Yamaha Pacifica Standard Plus PACS+12M review
- "The Westone Audio Pro X10 in-ear monitors offer a pretty compelling combination of precision, comfort, and durability": Westone Audio Pro X10 review
July 19
- “A unique synthetic and vocal powerhouse”: Void and Vista Folds review
July 18
- “Left me wishing my first guitar had been this much fun to play”: Harley Benton TE-52 NA Vintage Series review
- “All of the clarity and trustworthy imaging found in larger monitors”: Kali Audio LP-UNF review
July 17
- "The most expressive application of aftertouch technology": Arturia PolyBrute 12 review
- “At its best when integrated into a wider setup and pushed to its creative limits”: Moog Spectravox review
July 16
- “Plenty of capacity for creating pianistic soundscapes that are playable and inspirational”: UVI Aurora review
July 11
- "We love its West Coast sound and experimental design": Moog Labyrinth review
- “An immersive targeted device suitable for a broad range of multichannel applications”: Audient ORIA review
July 10
- “It’s compact, it’s live-ready… but it’s still an engine from an older synth”: Korg KingKorg Neo review
- “Easy to use, with very desirable saturation-style effects”: Universal Audio Verve Analog Machines review
July 9
- "A strong statement from Fender in 2024 about accessibility and quality": Fender Player II Telecaster and Stratocaster review
- “A retro-contemporary beats machine of the highest detail and calibre”: Cherry Audio CR-78 review
- “An enormously tempting proposition for anyone who enjoys the process and artistry of mixing”: Softube Console 1 Channel Mk III review
July 8
- “Takes filters to another level”: Noise Lab Formantic review
- “Combines rigid and random sequencing styles, and can double as a controller too”: 4ms Catalyst Sequencer/Controller review
July 4
- “Huge storage and ability to load your own loops make it an instrument in its own right”: DigiTech JamMan Solo HD review
July 3
- “Does all the basics very well, providing a beautifully clean signal”: Boss VE-22 Vocal Performer review
July 2
- “Feels like you’re playing through an amp with excellent low-latency performance”: Blackstar Polar 2 review