The UK live music industry is set to lose more than 160,000 jobs by Christmas
New study reports a fall of 81 per cent in revenues for the sector with the outlook bleak for a 2021 recovery
The UK's live music industry is forecasted to lose half its full-time employees by Christmas, with more than 140,000 freelance, contracting and support roles already lost since coronavirus restrictions shut down the industry in March.
In a report commissioned by LIVE, the umbrella group representing the UK's live music industry, 26,100 full-time employees will face redundancy without government intervention, with the sector losing more than 161,000 jobs in total to the pandemic.
Revenue will fall by 81 per cent in comparison with 2019, when the sector was worth £4.5 billion to the UK economy.
The report's authors, Chris Carey, head of international marketing at TicketSwap and founder of Media Insight Consulting, and Tim Chambers, managing director at TJChambers Consultancy, described the live music sector's exclusion from the government's Extended Jobs Support scheme and the introduction of further restrictions via the new tiered system as a “hammer blow.”
Breaking down the sector, the report catalogues some eye-watering figures. Grassroots music venues recorded a 75 per cent drop in revenues in comparison to 2019 figures. Technical supply companies providing PA, lighting and other services were hardest hit, with revenues down 95 per cent.
On average, artist revenues had fallen by 64 per cent, but as David Martin, CEO of the Features Artist Coalition, noted, there is no such thing as an average artist, with emerging and underground talent hit hardest from losing income from live music.
"Each is at the centre of their own unique business model, which sustains them and the teams around them," said Mr Martin. "The average fall in income this year across the artist sector is 65 per cent. This is a dramatic hit but it is not evenly distributed, many artists have lost closer to 100 per cent of their income."
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
While grants issued by the Culture Recovery Fund (CRF) saved 10,000 full-time positions, reaching 1,974 organisations across the country, smaller organisations that could not meet the £50,000 minimum funding criteria missed out – as did freelancers, suppliers, and nightclubs.
Describing the mass redundancies and ensuing talent drain as "twin tsunamis," the report cast doubt on a quick recovery in 2021, with activity not expected to increase until spring.
You can read the full report here.
“The contribution from these shows will keep venues open”: Katy Perry to donate £1 from every ticket sold on her 2025 UK tour to small venues
"I'm like, I'm freaked out right now. I'm scared. I feel like I'm drowning on stage and I feel like I'm failing”: SZA on that misfiring Glastonbury headline set
Jonathan Horsley has been writing about guitars and guitar culture since 2005, playing them since 1990, and regularly contributes to MusicRadar, Total Guitar and Guitar World. He uses Jazz III nylon picks, 10s during the week, 9s at the weekend, and shamefully still struggles with rhythm figure one of Van Halen’s Panama.
“The contribution from these shows will keep venues open”: Katy Perry to donate £1 from every ticket sold on her 2025 UK tour to small venues
"I'm like, I'm freaked out right now. I'm scared. I feel like I'm drowning on stage and I feel like I'm failing”: SZA on that misfiring Glastonbury headline set