The Breakdown: Goodboys on how they treat vocals in-the-box
The Grammy-nominated production duo talk vocal processing and open up their DAW to show us how they made "This Feeling"
In the latest edition of our video series The Breakdown, we visited Grammy-nominated production duo Goodboys in the studio to hear more about how they record and produce their platinum-selling pop-house tracks.
In the video above, the pair break down their in-the-box approach to vocal treatment, running us through several plugins that help them achieve their signature sound.
Step 1: The first step is to comp vocal takes. Josh does this in Logic Pro, selecting the best moments of each take. Next he applies Auto-Tune. “I don’t record with Auto-Tune active,” he explains. “I like to have a bit more control to take it off afterwards.”
Step 2: “We record all of our vocals two semitones above the track’s pitch,” Josh explains. “We then pitch it down with [SoundToys] Little AlterBoy.” Josh uses both the formant and pitchshift parameters to capture their signature tone. “It can be long and very confusing, but that’s how we like to do it,” Ethan adds.
- Read more: 6 of the finest formant-shifting plugins
Step 3: That lead vocal is then processed using iZotope Nectar. “If you don’t really know what you’re doing with vocals, like me, this is great,” Josh tells us. Nectar’s Vocal Assistant adds a gate, EQ and de-esser to help tidy up the recording.
Step 4: The next processor is Soundtheory’s Gullfoss intelligent EQ, applying dynamic processing. After this, Xfer’s much-loved freebie OTT applies some parallel multiband compression. “I only use it at around 10%,” Josh explains.
Step 5: The next stage is to layer additional vocals in. Josh uses VocAlign to get several vocal takes in time ready for processing. “This is honestly the GOAT,” he tells us. “It saves so much time getting everything in sync.”
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
Step 6: Doubled vocals are spread into the left and right stereo channels. Josh also records high doubled versions of the vocal line and octave above the original. “They don’t sound very good on their own,” he admits, “but all together it really brings them to life.”
Goodboys on how they produced their Vintage Culture collaboration "This Feeling"
In our final video, Goodboys open up their DAW to breakdown a recent collaborative project with Vintage Culture, walking us through several key elements of their arrangement. Check out the track below, or visit Goodboys on YouTube and Instagram to find out more.
Future Music is the number one magazine for today's producers. Packed with technique and technology we'll help you make great new music. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. Every marvellous monthly edition features reliable reviews of the latest and greatest hardware and software technology and techniques, unparalleled advice, in-depth interviews, sensational free samples and so much more to improve the experience and outcome of your music-making.