Who was the best music producer of the '90s?
Cast your vote and let us know who defined the era
The '90s represented humanity's last chance to do something really exciting before the new millennium struck. So, how did the music world mark the end of the 20th century? Well, with such musical talents as Nirvana, Oasis, Blackstreet and The Spice Girls, of course.
More and more new musical genres and sub-genres sprung up in the nineties, though it's fair to say that some lasted longer than others. It's debatable whether the likes of grunge, new jack swing, trip-hop, gangsta rap, big beat and Britpop made it out the other side, but for a moment there, they captivated us all, and those responsible for the sounds of the decade should be rewarded.
You can celebrate this period of musical history by casting your vote and helping us to decide who was the best producer of the '90s.
In cased you missed them, here are the results for the preceding decades:
The 10 best music producers of the '80s
The 10 best music producers of the '70s
The 10 best music producers of the '60s
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
“Every show is designed for the space, so every show is different”: Max Cooper explains the workings of his unique 3D/AV live shows
“Michael Stipe said it was his favourite dance album – he used to put it on and then write his lyrics for REM to it”: Rave icons Utah Saints on their legacy, sampling Kate Bush, and the challenges of making their debut album
I take care of the reviews on MusicRadar and Future Music magazine, though can sometimes be spotted in front of a camera talking little sense in the presence of real musicians. For the past 30 years, I have been unable to decide on which instrument to master, so haven't bothered. Currently, a lover of all things high-gain in the guitar stakes and never one to resist churning out sub-standard funky breaks, the likes of which you'll never hear.
“Every show is designed for the space, so every show is different”: Max Cooper explains the workings of his unique 3D/AV live shows
“Michael Stipe said it was his favourite dance album – he used to put it on and then write his lyrics for REM to it”: Rave icons Utah Saints on their legacy, sampling Kate Bush, and the challenges of making their debut album