Native Instruments announces Stems multitrack audio format for DJs
Divides tracks up into four mixable parts
Native Instruments has used the Miami Winter Music Conference to launch Stems, a new multi-channel audio format aimed at DJs.
The idea is that Stems-friendly tracks actually include four separate parts - bass, drums, melody and vocal are suggested examples, but these could be anything - so that you can engage in more intricate mixing/live remixing in the booth.
Crucially, though, the Stems format is 'backward compatible' (for want of a better expression). So, tracks that support it will play back as standard stereo mixes in any software that supports MP4, and Stems-compatible software (just Traktor Pro, initially) will provide access to the four individual parts.
The good news is that it looks like Stems will be an open standard - anyone will be able to create files using the Stem Creator Tool - so, if other software developers start to embrace it, it has the potential to gain some traction. Beatport, Juno and Traxsource have already announced that they'll sell stems, and various labels are onboard, too.
The official public launch is in June when, presumably, full details will be confirmed.
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“An enhanced application that is nonetheless reassuringly familiar and reasonably priced”: Native Instruments Traktor Pro 4 review
"The last 5 or 10 per cent drove me crazy - at one point I had about 130 mixdowns... I’ve come to realise that the perfect mix doesn’t exist": Ben Böhmer on overcoming perfectionism in production
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
“An enhanced application that is nonetheless reassuringly familiar and reasonably priced”: Native Instruments Traktor Pro 4 review
"The last 5 or 10 per cent drove me crazy - at one point I had about 130 mixdowns... I’ve come to realise that the perfect mix doesn’t exist": Ben Böhmer on overcoming perfectionism in production