Kind of Bloop: Miles Davis gets 8-bit tribute
Jazz legend Miles Davis is the latest artist to have his work re-imagined in the style of an '80s video game; or to put it another way, he's the subject of a new 8-bit tribute album.
The brainchild of Andy Baio, Kind of Bloop is a track-by-track recreation of Davis's seminal Kind of Blue, though it's a rather bleepier (or should that be bloopier?) affair than the original record.
It was released yesterday and is currently available only to those who helped to fund its creation, though anyone will be available to buy it from 20 August for $5. Until then, you'll have to settle for listening to preview clips from the album.
As we mentioned, Kind of Bloop is just the latest album to be released in the 8-bit covers genre - if you like your music as Mario intended, check this lot out.
Weezer: The 8-bit Album
Presented by Pterodactyl Squad, this features Rivers Cuomo and co's work "as you've never heard it before" (unless everything you hear goes through a GameBoy-izing filter, that is).
Da Chip
Daft Punk get the 8-bit treatment here - listen to Around The World, One More Time and many more in all their pixelated glory.
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Muse: An 8-bit tribute
If you're looking for some 8-bit bombast, apply within. We're betting that even Matt Bellamy can't make his guitar sound quite like this.
8-bit Operators: The Music of Kraftwerk
Some of the top 8-bit artists from North America, South America and Europe pay tribute to the German pioneers. You'll have to pay for this one.
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“I was going to buy a Minimoog because Keith Emerson had one. I was in the store and I was trying it out and I hear a voice behind me say ‘you don’t want that’”: Why Foreigner’s Al Greenwood said no to the Minimoog and bought a little-known synth instead
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.
“I did a demo. I had Sheila E playing on it and Michael sang on it. I played it for Quincy and he said, ‘No.’”: Greg Phillinganes on the Michael Jackson song arrangement that Quincy Jones rejected because it wasn't "sexy" enough
“I was going to buy a Minimoog because Keith Emerson had one. I was in the store and I was trying it out and I hear a voice behind me say ‘you don’t want that’”: Why Foreigner’s Al Greenwood said no to the Minimoog and bought a little-known synth instead