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In pictures: Jody Wisternoff

News
By Future Music published 31 July 2012

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Intro

Intro

We've already spoken to Jody about his career, getting started in the Hip Hop scene and seen a video tour of his incredible studio. But, as an extra bonus, we're going to focus on a few specific bits of his gear and find out what Jody thinks about them. Prepare yourself for more frantic gear-lusting!

Page 1 of 9
Page 1 of 9
Audient Sumo

Audient Sumo

“I don’t use the buss compressor on this, it’s just used to run groups through from the computer.”

Page 2 of 9
Page 2 of 9
Roland Jupiter-8

Roland Jupiter-8

“This is really nice for short stabs and it’s got really sharp envelopes. The guy I bought it from instantly regretted selling it. It’s perfect for silky-smooth strings too.”

Page 3 of 9
Page 3 of 9
Soundcraft Ghost

Soundcraft Ghost

“I don’t mix on this, it’s more of a patchbay. I use it as an instrument, for EQing on the fly and stuff. I couldn’t live without it.”

Page 4 of 9
Page 4 of 9
Octave Kitten

Octave Kitten

“This is a smaller version of the Cat, which the Chemical Brothers are really heavy on. It’s great for nasty bassline stuff. Boosting the low-end using the Soundcraft, sounds great.”

Page 5 of 9
Page 5 of 9
Casio CZ-5000

Casio CZ-5000

"This is Casio’s version of FM synthesis – phase distortion synthesis. It’s got very usable sounds and you can pick it up for about £50 now.”

Page 6 of 9
Page 6 of 9
Roland JD-800

Roland JD-800

“This is actually bleeding from the keys below, there’s something wrong with it. It actually burned holes in my carpet! All the sounds have been used and abused.”

Page 7 of 9
Page 7 of 9
Roland Juno-106

Roland Juno-106

“I love the chorus on this. The JP-8 is fantastic but the Juno’s chorus is very tasty. It’s one of the most recognisable synths there is.”

Page 8 of 9
Page 8 of 9
SCI Prophet-5

SCI Prophet-5

“It’s got a really different colour to the Jupiter-8. It’s got a slightly out-of-tune, wonky sound. You can do leads and basses, but it’s generally better for soft pads.”

Page 9 of 9
Page 9 of 9
Future Music
Future Music

Future Music is the number one magazine for today's producers. Packed with technique and technology we'll help you make great new music. All-access artist interviews, in-depth gear reviews, essential production tutorials and much more. Every marvellous monthly edition features reliable reviews of the latest and greatest hardware and software technology and techniques, unparalleled advice, in-depth interviews, sensational free samples and so much more to improve the experience and outcome of your music-making.

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