Skip to main content
MusicRadar MusicRadar The No.1 website for musicians
UK EditionUK US EditionUS AU EditionAustralia SG EditionSingapore
Sign in
  • View Profile
  • Sign out
  • Artist news
  • Music Gear Reviews
  • Synths
  • Guitars
  • Controllers
  • Drums
  • Keyboards & Pianos
  • Guitar Amps
  • Software & Apps
  • More
    • Recording
    • DJ Gear
    • Acoustic Guitars
    • Bass Guitars
    • Tech
    • Tutorials
    • Reviews
    • Buying Guides
    • About us
Don't miss these
Josh Freese
Artists “People said, ‘Hey, I saw you’re on that Avril Lavigne record.’ I went, ‘Nah!'”: The drummer who’s played on 400 albums
trevor horn
Artists "It was the best-sounding piece of kit ever – but they were so up themselves": Trevor Horn on the pioneering synth that defined the sound of Welcome to the Pleasuredome
teed
Artists How TEED went back to basics with a bedroom set-up and a borrowed synth for third album Always With Me
 universal audio
Plugins “We built Paradise to make any guitarist feel like they’re playing in a dream studio": Universal Audio releases Paradise Guitar Studio – and it's 25% off for Cyber Monday
The Fender x Palace Limited Edition Telecaster has a 90s-inspired rave graphic finish on the front, and the brand's Triferg on the back – the release also includes a Fender x Palace guitar strap and guitar pick set.
Guitars Rave culture meets the first mass-produced electric guitar – Fender teams up with Palace Skateboards for limited run Telecaster
Trevor Horn
Artists How Trevor Horn’s anonymous electronic group - the Art of Noise - revolutionised sample culture
A home music studio with MIDI keyboard, Mac, and dual screens showing a DAW
Recording Best Christmas gifts for music producers 2025: 9 affordable ideas they'll actually use
Kraftwerk, German electronic band, during a concert, September 16, 1978. (Photo by Christian Rose/Roger Viollet via Getty Images)
Tech I went to the Kraftwerk auction to buy their chairs, but came back with a studio's worth of gear instead
DarWin
Artists “Most pop music is rubbish now”: Legendary drummer Simon Phillips on producing supergroup DarWin
Prince at a press conference where he officially changed his name from the Artist back to Prince. 5/16/00 Photo by Scott Gries/ImageDirect
Artists Back in 1999, Prince offered his opinion on the new generation of DAW-based musicians and producers
M83
Artists Inside the towering M83 monolith that left its creator with mixed feelings
Steve Porcaro
Artists Steve Porcaro on the rise, fall and resurgence of Toto, working with Michael Jackson and his new solo album
kid harpoon
Producers & Engineers “There’s a reason that the Juno-106 is still the greatest”: Kid Harpoon on vintage synths and studio secrets
MPH
Artists “I got woken up at 3 AM by a fan spamming my DMs. I’m still in disbelief”: UKG phenom MPH on featuring in Thomas Bangalter’s comeback DJ set
Semtek aka DJ Persuasion
Artists 7 great house and techno tips from Don’t Be Afraid label boss Semtek (aka DJ Persuasion)
More
  • "The most expensive bit of drumming in history”
  • JoBo x Fuchs
  • Radiohead Daydreaming
  • Vanilla Fudge
  • 95k+ free music samples
  1. Tech
  2. Recording
  3. Studios

In pictures: Fernando Garibay's LA studio

News
By Chris Barker published 5 January 2012

When you purchase through links on our site, we may earn an affiliate commission. Here’s how it works.

Intro

Intro

He’s the young producer and writer who’s produced some of the biggest names in Pop music, including the one and only Lady Gaga.

Rising from East LA and after gaining notoriety for his unique slant on what Dance and Pop music could be, Fernando Garibay was thrust into the mainstream, working with artists like Enrique Iglesias and Ricky Martin. Working closely with Interscope Records he found himself producing, remixing and writing for acts like Will.I.Am, Britney Spears, Lady Gaga and more.

His studio is based in a converted building in the grounds of his LA home and is a treasure trove of rare kit and vintage synths teamed with a huge SSL desk. With previous mentors and teachers including such music heavyweights as Giorgio Moroder, David Forster and Quincy Jones, and the smash new Gaga album Born This Way under his belt, Garibay is officially big league.

Page 1 of 7
Page 1 of 7
Starting out

Starting out

Although Garibay can now boast a mountain of beautiful kit, it wasn't always like this as Garibay recalls. "Early on, I couldn’t afford any equipment, so I used to just try and learn an instrument wherever possible by borrowing instruments from friends."

"Then my neighbour lent me this Fostex four-track cassette recorder he had and I went from there, piecing bits together. But, at that age I had no idea that there was such a thing as making music for other people. I just thought everybody made their own music and were either good at it or they weren’t. A lot of my friends were DJs and I began to listen to Techno records like the tunes from LFO, Underworld and all that stuff that was coming out in the ’90s.

"There was that track by Eon, The Spice Must Flow that I heard at a house party when I was younger and I remember that and a few other tracks that these
DJs were playing and thinking ‘how do they make that sound?’ It just sounded so otherworldly and that’s what made me get into Techno.”

Page 2 of 7
Page 2 of 7
Working with Lady Gaga

Working with Lady Gaga

“Before Born This Way we had written and co-produced a few songs together successfully, but never to the standards of where we knew our music could go.

"It feels like all the songwriting and producing prior to this album was just an experiment and a build up for what was to come. She recently spoke to MTV about this and she compared this – metaphorically of course – to fornicating without a successful impregnation… Now I guess you could say we gave birth.”

Page 3 of 7
Page 3 of 7
The studio

The studio

This is the incredible space at home where Garibay usualy crafts and mixes the records he's working on. But when working on the Lady Gaga, Born This Way album it was a different process, as Garibay explains.

“The process from when we started has changed and so has the dynamic. In the early stages I feel the way our songs would start off from a track as opposed to the pure song element. Now we’ve experienced more of a complete paradigm shift, where as her songs led the direction of the track. She usually would come in with completed songs that just needed to be produced and arranged.

“She had a vision for every song, from sonics, to sounds and even mix. It was all hands-on-deck with her for all of these songs, these are her records and songs and you can hear that in the end result.”

Page 4 of 7
Page 4 of 7
Inspiration

Inspiration

When it comes to inspiration Garibay has always had one thing on his mind, "lots and lots of visuals" he explains.

"I had plenty on tour, from the look on the fans’ faces to Gaga being moved by an event or a piece of music we created. There was plenty to draw from. I make music as if I were making or scoring the soundtrack to my life, but in this score she is the star of the movie – this is her film. As far as sonics and sounds: no rules – soft synths, whatever was available to us in whatever part of the world we were in.

"We made sure to stay on the cutting edge of software technology by working closely with companies like Native Instruments, Camel Audio, ILIO, MOTU, Ableton, and East West. We experimented a lot and tried to stay away from patches and presets… We went from working with straight vintage analogue outboard and synthesizers in France and Milan to extreme and random plug-ins. I remember whenever I had a second on the road I would be on different synth and mix blogs looking for any plug-in I could get my hands on.”

Page 5 of 7
Page 5 of 7
Doing research

Doing research

As the Gaga album was created predominately outside of this studio Garibay explains how they had to stay ahead of the curve.

“Researching music and equipment played a big role on making the Born This Way album – there was a lot of homework done on my part and everyone else’s part and that’s what it takes to stay ahead. We didn’t want to adapt the tradition in the music industry to mimic or use the coolest DJs to make records they have already made before with new top-lines for Pop artists… In this case we’ve always been underground DJs and performers, we were just making new records.

“Whiteshadow and myself would be out DJing in whatever city we were in, whenever we possibly could. It kept us fresh and motivated when we’d be running low on creative fuel. You get instant feedback with DJing, especially internationally – it kept us on the right track for sure.”

Page 6 of 7
Page 6 of 7
Technology

Technology

Even with a studio of this calibre at his disposal Garibay's favorute bit of kit from the Born This Way Album is very simple. “Honestly my laptop", he explains "I was so limited as to the equipment I could carry with me on tour so Ilearned to be really creative with just the laptop.”

Page 7 of 7
Page 7 of 7
Chris Barker
Read more
babyface
Babyface's recording studio – home to "125 Top 10 hits and 13 Grammy wins" – goes on sale for $7 million
 
 
Lady Gaga and Cirkut
Lady Gaga on why she quickly gelled with "incredibly gifted" Mayhem collaborator, Cirkut
 
 
jim-e stack
“You can make the best album ever with just a laptop and plugins”: Jim-E Stack reveals his production secrets
 
 
Echotown Studios Main Room
Echotown Studio: A world class recording studio in the stunning Dorset countryside
 
 
imad royal
“I’m a big preset guy. If a preset’s called Fat Bass, there’s a 90% chance it’s actually a fat bass”: Rico Nasty and Benson Boone producer Imad Royal on saving time and staying focused in the studio
 
 
verses gt
Jacques Greene and Nosaj Thing on the making of their new collaborative project, Verses GT
 
 
Latest in Studios
IK Multimedia iLoud Micro monitor
IK Multimedia iLoud Micro Monitor $120 off at Sweetwater this Cyber Weekend
 
 
Kraftwerk, German electronic band, during a concert, September 16, 1978. (Photo by Christian Rose/Roger Viollet via Getty Images)
I went to the Kraftwerk auction to buy their chairs, but came back with a studio's worth of gear instead
 
 
Echotown Studios Main Room
Echotown Studio: A world class recording studio in the stunning Dorset countryside
 
 
subterra
Music studio complex opens in former nuclear bunker in The Hague
 
 
Adrian Sherwood
Dub pioneer Adrian Sherwood on embracing AI and playing the studio like an instrument
 
 
Adam Audio H200
“A good all round headphone suited to recording, mixing and mastering”: Adam Audio H200 Headphones review
 
 
Latest in News
ALM Busy Circuits Pamela's Disco module
ALM Busy Circuits new Pamela’s Disco module lets you sync a Eurorack rig to a CDJ or mixer
 
 
Text saying 'Just the way it is'
“It’s quite normal to be groped by men”: Harassment, low pay and exploitation all reported by young musicians and artists in new survey
 
 
Dirty Boy SilverBOY: This high-end all-analogue preamp pedal was inspired by a digital plugin
Dirty Boy turns the tables on guitar’s digital revolution with an all-analogue preamp pedal inspired by a plugin
 
 
LOS ANGELES, CALIFORNIA - NOVEMBER 07: Chappell Roan and Dan Nigro perform at Spotlight: A Night With Chappell Roan and Dan Nigro moderated by Brandi Carlile at GRAMMY Museum L.A. Live on November 07, 2024 in Los Angeles, California. (Photo by Rebecca Sapp/Getty Images for The Recording Academy)
Dan Nigro says that he always knew that Chappell Roan’s Pink Pony Club was something special
 
 
tape double track
This $99 plugin recreates a classic studio technique invented at Abbey Road for The Beatles – and it's free for the next three days
 
 
Eric Clapton and Sheryl Crow perform at Eric Clapton's Crossroads Guitar Festival 2007 held at Toyota Park on July 28, 2007 in Bridgeview, Illinois.
"They put it on hold so nobody else can record it. But he didn’t actually record it. That was when Don Henley said, ‘You need to quit giving your songs away’”: Sheryl Crow says that she once wrote a song for Eric Clapton that never saw the light of day
 
 

MusicRadar is part of Future plc, an international media group and leading digital publisher. Visit our corporate site.

Add as a preferred source on Google
  • About Us
  • Contact Future's experts
  • Terms and conditions
  • Privacy policy
  • Cookies policy
  • Advertise with us
  • Accessibility Statement
  • Careers

© Future Publishing Limited Quay House, The Ambury, Bath BA1 1UA. All rights reserved. England and Wales company registration number 2008885.

Please login or signup to comment

Please wait...