Allen & Heath releases XED60-14FX compact analogue mixer
Complements the ZED60-10FX in the range
Reports of the demise of the compact analogue mixer have been greatly exaggerated, as the new ZED60-14FX from Allen & Heath goes to prove.
Coming with eight mono channels, two stereo channels, USB audio in/out and 16 effects, it's available now for around £400.
Check out the official details below.
Allen & Heath ZED60-14FX press release
Allen & Heath has launched the ZED60-14FX, a highly compact analogue mixer that is ideal for small bands and venues. ZED60-14FX is a companion to the ZED60-10FX launched earlier this year, employing the same high quality 60mm faders but with the addition of an extra 4 mono/mic channels.
Two of the 8 mono channels have high impedance jack inputs that can take a normal line level or a low level input from a guitar pickup, so guitars can be plugged straight into the mixer without the need for DI boxes. These inputs have been crafted to recreate the sound of a classic tube preamp in a combo or head amp for incredible definition and warmth. Two stereo inputs are provided for MP3/CD players or keyboards.
The ZED60-14FX also comes with configurable USB audio in/out, making it easy to capture a stereo recording at the gig or in the studio. The mixer is equipped with professional XLR main stereo outputs, a flexible monitoring section with headphone and speaker feed outputs, and 16 high quality digital effects.
Allen & Heath designer, Mike Griffin, explains:
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"We designed the ZED-60 mixers to complement the very popular ZED-10FX which is a super-compact but professional standard mixer with rotary faders. The ZED-60 models incorporate additional channel mute switches and 60mm faders making them great to use for dynamic mixing but still retaining their diminutive size. The ZED60-14FX takes it one step further - with 8 mono channels, 2 stereo channels and our renowned in-house designed effects, it's a very useful piece of kit indeed."
The ZED60-14FX is available immediately.
SRP: £335 ex VAT
I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.