US Blues, funk and soul singer / guitarist Syl Johnson passed away on 5 February at the age of 85. The Mississippi- born brother of bassist Mack Thompson and blues guitarist / singer Jimmy Johnson also worked as a producer. Jimmy had passed away just six days before Syl on 31 January, age 93.
Jimmy was best known for his 1967 hit Different Strokes, widely sampled by hip hop artists including Wu-Tang Clan, Public Enemy, Hammer, Kool G Rap and the Geto Boys.
Johnson's other signature hit include Is It Because I'm Black (1969) and 1975's Take Me To The River.
Born in Holly Springs Mississippi, Johnson's family moved to Chicago in 1950 where their neighbour was celebrated bluesman Magic Sam. Johnson would go on to perform with him in the following decade, as well as Junior Wells, Howlin' Wolf, Jimmy Reed and Billy Boy Arnold.
Johnson made his solo debut in 1959 with the Teardrops single on the Vee-Jay label, backed by Freddie King on guitar but by the mid 1960s he'd moved to fellow Chicago label Twilight/Twilight where he achieved success as both a recording artist and producer.
On the 1969 classic, Is It Because I'm Black, he tackled African American identity and social issues head on, taking the single to number 11 on Billboard R&B chart.
After recording for Hi Records with Willie Mitchell in the '70s Johnson moved to the released two albums on his own Shama label, with the funk title track to 1982's Ms. Fine Brown Frame proving to be his last hit single before he mostly retired from performing.
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After Different Strokes was sampled by a number of hip hop artists, Johnson was inspired to make a comeback to music in the '90s, releasing the album Back in the Game for Delmark Records in 1994.
In 2002 he joined with brother Jimmy for the album Two Johnsons Are Better Than One and worked with his singer daughter Syleena for his final album alongside Melody Whittle in 2013.
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Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.
“There’s three of us playing guitar in Foo Fighters… A lot of tone details can get lost, which is what drew me to the Cleaver – that P-90 cut”: Chris Shiflett on how he found his weapon of choice with his Fender Cleaver Telecaster Deluxe
“Notes dance rhythmically, almost creating a reverb diffusion. Those notes are held together with tape-style effects”: Keeley Electronics and Andy Timmons unveil the Halo Core – same modulated dual echo magic, simplified controls