Summer NAMM 2019: Dunlop debuts 4 Authentic Hendrix mini pedals, plus new Gary Clark Jr. and Dimebag Cry Baby wahs
New Fuzz Face, Octavio, Uni-Vibe and Band Of Gypsys Fuzz on show
SUMMER NAMM 2019: Dunlop has launched a sextet of new pedals, including four Authentic Hendrix mini pedals, as well as new signature Cry Baby wahs for bluesman of the moment Gary Clark Jr. and Pantera legend Dimebag Darrell.
The four Authentic Hendrix '69 Psych Series offerings downsize Jimi's iconic Fuzz Face, Octavio, Uni-Vibe and Band Of Gypsys Fuzz tones into more compact enclosures, complete with artwork by ILOVEDUST, who previously worked on MXR's limited-edition Phase 90 and Carbon Copy designs.
Read on for the skinny on each new pedal from Dunlop, and head on over to the company’s site for more.
Authentic Hendrix ’69 Psych Series Fuzz Face Distortion
PRESS RELEASE: This pedal combines the two different flavors of Fuzz Face Distortion tones—aggressive silicon-based crunch and smooth germanium-based saturation—that Jimi Hendrix used throughout his career, all in a mini MXR housing modern appointments such as a status LED, true-bypass switching, and a 9-volt power jack.
Emblazoned with the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
Authentic Hendrix ’69 Psych Series Octavio Fuzz
PRESS RELEASE: This classic effect has been updated with a switch to toggle between the iconic octave-up sound that Jimi Hendrix made famous and super snarling silicon saturation.
It all comes in an MXR mini housing with modern features such as a status LED, true-bypass switching, and a 9-volt power jack. Emblazoned with the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
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Authentic Hendrix ’69 Psych Series Uni-Vibe Chorus/Vibrato
PRESS RELEASE: This pedal delivers the classic chorusy, Leslie-sounding goodness used by Jimi Hendrix in an MXR mini housing with modern features such as a status LED, true-bypass switching, and a 9-volt power jack.
Emblazoned with the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
Authentic Hendrix ’69 Psych Series Band Of Gypsys Fuzz
PRESS RELEASE: Get the unique and bitingly aggressive Band of Gypsys fuzz sound in an MXR mini housing with a Tone control for sonic fine-tuning.
Equipped with modern features such as a status LED, true-bypass switching, and a 9-volt power jack, this pedal comes emblazoned with the trippy, kaleidoscopic designs of award-winning UK-based design crüe ILOVEDUST.
Gary Clark Jr. Cry Baby Wah
PRESS RELEASE: This wah has been modified for a lower frequency range and a tighter sweep to complement the emotional depth and percussive grooves that infuse Gary Clark Jr.'s masterfully crafted tunes.
Dimebag Cry Baby From Hell Wah
PRESS RELEASE: The most versatile wah in our line up, this pedal was designed for players who need options on stage, featuring an extended sweep rang a 6-way frequency selector, a switchable boost, LEDs to indicate wah and boost status, and more.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard