Summer NAMM 2017: DigiTech unveils SDRUM, the world’s first intelligent drum machine for guitarists and bassists
Scratch your guitar strings to generate pro-sounding drums
SUMMER NAMM 2017: DigiTech has announced the SDRUM, the world’s first intelligent drum machine for guitarists and bassists.
Building on the TRIO’s ‘listen and learn’ format, the SDRUM is programmed by simply scratching across your guitar strings to teach the pedal a kick and snare pattern.
The SDRUM then generates a "professional-sounding" drum beat with embellishments and variations to complement the beat.
Up to 36 different songs can be stored and beats are played from a choice of five different kits spanning different genres.
Players can program up to three different parts and switch between them on the fly for live performances.
The SDRUM is due to arrive later this year for $199.95 - see DigiTech for more.
Features
BeatScratch Technology creates drum patterns by strumming your strings
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5 kits and studio quality samples for professional sounding drums
36 song memories
Verse/Chorus/Bridge parts
12 different hats/rides styles
Alternate instruments/voicings
Dedicated Amp and stereo Mixer outputs
Kick/Snare pads for tapping in a beat
External FS3X support
JamSync connectivity for interfacing with JamMan loopers
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Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard