SolidGoldFx are skilled hands when it comes to fuzz pedals – its Communication Breakdown , 76 Plus and original Imperial prove it. Now the Canadians are following up the latter in style with the Imperial MK II for a 'ripping, royally raucous' Muff-style Gilmour-esque gated fuzz.
We're old school in that we love to see slider controls on any pedal – here you get four along with a red and black retro look that means business.
The Imperial MKII is Inspired by the SGFX favourite, the 1970s JEN Jumbo fuzz – an Italian early gated fuzz that featured three sliders.JEN Elettronica was an Italian made pedals for brands including Vox, Dallas Arbiter and Sound City but the Jumbo Fuzz was their own spin on the Electro-Harmonix Big Muff. JEN added sliders and added a germanium noise gate.
SolidGoldFX redesigned this noise gate to provide contemporary consistency with the desirable character of the Jumbo. The company uses silicon for the Imperial MKII's and has improved its envelope generator. The result is "virtually zero noise" but also a sharper attack and singing sustain at higher fuzz levels for a more versatile fuzz, especially for hollow body guitar players. Bass and keyboard players could have a lot of fun here too.
The Imperial MK II features a high impedance JFET preamp like SGFX's original, to offer enhanced and response that enables players to clean up from the volume control.
A new Contour slider replaces the original Imperial's mids switch, changing the frequency of the high-pass filter in the tone stack. Players can use it to boost or scoop their mids and explore the territory between those extremes.
The Imperial MKII also features dual LED indicators (one for bypass and the other for gate status), top jacks and true bypass switching.
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The Imperial MKII is priced at £199. For more info visit SolidGoldFX
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Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
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