Seymour Duncan has announced the latest addition to its rapidly expanding pedal line, the Fooz analog synth pedal.
Designed for use with guitar, bass, synth and turntables, the Fooz combines fuzz, synth, wah and tremolo effects in order to “synthesize the ultimate fuzz tone”.
The all-analogue effect utilises a square-wave fuzz to approximate an ‘oscillator’, before running into a filter (low-pass or band-pass), LFO and envelope follower.
External expression pedals can also be assigned to most parameters via the DIP switches on the top side of the pedal.
An intriguing proposition, this - the Fooz is available now for $499. Head over to Seymour Duncan for more info.
![Eric Clapton and his gold-plated Cry Baby: [Left] a black and white image of Clapton playing his Bigsby-equipped Gibson Les Paul standard live on stage with Cream.](https://cdn.mos.cms.futurecdn.net/aPowLRdfjdvVAiwU8PYuBh-1280-80.jpg.webp)
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
