Ritchie Blackmore talks Joe Satriani and Steve Morse: “If you’re always playing the correct notes, there’s something wrong”

(Image credit: Frank Hoensch/Redferns/Getty)

Following his revival of Rainbow in 2016, Ritchie Blackmore has opened up about his guitar playing and former bands, including what he thinks of his replacements in Deep Purple, Joe Satriani and Steve Morse.

In a recently surfaced interview on the Ritchie Blackmore Channel, spotted by our pals at Guitar World, Blackmore speaks at length on the subject, stating, “Joe Satriani is a brilliant player, but I never see him really searching for notes; I never hear him playing a wrong note. Jimi Hendrix used to play lots of wrong notes because he was searching all the time - 'Where the hell is that correct note?!' And when he did find that right note... wow, that was incredible.

“If you're always playing the correct notes, there's something wrong - you're not searching, you're not reaching for anything. But that's not to say that he isn't a very brilliant player. Same thing with Steve Morse - fantastic player.

“I'm just glad they [Deep Purple] found a guitar player to carry on because I thought I was going to be shackled to this band for the rest of my life. It was like a ball-and-chain thing, and luckily they said, 'Well, we found someone.' 'Thank God, I can get out!'

“I haven't listened much, I just know that Joe Satriani and Steve Morse are brilliant players. I remember Steve Morse with the Dixie Dregs, they're fantastic.

“I think what you mean is that certain people play from the heart and other people play from the head. I prefer a heart player, I prefer someone like a blues player, like Jeff Healey. Jeff Healey I think is tremendous.

I personally am into the minstrel technique - if I hear someone playing a lute or playing a crumhorn, it just moves me, I don't know why. Guitar players I find kind of boring - and that's not meant as a dig. I find myself boring

“If I hear someone really technical running up and down a fingerboard, I can hear that for a couple of minutes and then I start to kind of get bored and think of other things like playing football or something. But I do like to hear someone reaching for something, not quite making it and then sometimes they do make it.

“And Joe Satriani is a very polished player - almost too polished, that's what worries me sometimes. But it's different strokes for different folks, as an enemy of mine used to say - which is such a corny thing. Some people are into that head music, that head technique; some people are into the heart technique, some people are into blues technique.

“I personally am into the minstrel technique - if I hear someone playing a lute or playing a crumhorn, it just moves me, I don't know why. Guitar players I find kind of boring - and that's not meant as a dig. I find myself boring.

“I think the main objective is to move people, make people think in their heart. I personally am not interested in appealing to other musicians. To me, it's more inspiring to move someone who doesn't know anything about music, but has a feel.

“They can say, 'I don't know what you're doing, but I just feel that's something there.' That to me is an incredible compliment, as opposed to, 'Well, you've just run up and down the fingerboard. That's wonderful, very fast.' All that means is I've just practiced the hell out of the guitar and I'm not really saying anything. I'm going from A to B, but not seeing anything on the way.”

We don’t have any lute or crumhorn tutorials, but if you’d like to learn from Ritchie’s incredible arsenal of techniques, check out our lesson on 5 guitar tricks you can learn from the Deep Purple icon.

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Michael Astley-Brown

Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.