NAMM 2018: Walrus Audio debuts Fathom Multi-Function Reverb pedal
Shimmer-equipped small-footprint ’verb on the way
NAMM 2018: Walrus Audio has dropped its latest small-footprint, and rather beautiful, stompbox, the Fathom Multi-Function Reverb reverb pedal.
Four algorithms are onboard - hall, plate, lo-fi and sonar, the latter of which features a blendable shimmer/octave.
An algorithm-dependent ‘X’ knob adjusts pre-delay, filter width or mixes low and high octaves, while a three-way toggle adds modulation to the trails.
Elsewhere, the pedal offers a trails mode and sustain momentary footswitch function.
The Fathom is available from 29 January for $199 - head over to Walrus Audio for more info.
––––––––––––––––––––––––––––
Check out our constantly updated NAMM hub for more news and on-the-spot video from Anaheim
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard
Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard