NAMM 2018: Chase Bliss Audio introduces Condor Analog EQ / Pre / Filter pedal
Ultra-versatile overdrive/preamp soars into view
NAMM 2018: Chase Bliss Audio has revealed its latest digitally controlled analogue pedal ahead of the show, the Condor Analog EQ / Pre / Filter.
Offering clean and overdrive tones, the Condor - as its name suggests - packs a host of EQ controls for honing tones, including a parametric boost/cut mids control from 150Hz to 5kHz with three Q settings; bass boost/cut control with three intensity settings; LPF filter with three settings: normal, slight resonant, very resonant; plus ramping/hold functionality for LFO filter tremolo effects.
As per other Chase Bliss effects, there’s a choice of true bypass or buffered switching, plus the ability to save presets, and control via MIDI.
The Condor is available from 16 April 2018 for $349 - we’ll have more from the show…
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Mike is Editor-in-Chief of GuitarWorld.com, in addition to being an offset fiend and recovering pedal addict. He has a master's degree in journalism, and has spent the past decade writing and editing for guitar publications including MusicRadar, Total Guitar and Guitarist, as well as a decade-and-a-half performing in bands of variable genre (and quality). In his free time, you'll find him making progressive instrumental rock under the nom de plume Maebe.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard