Me in my studio: Dr. Shiver
The Italian producer/DJ shows you his seriously impressive setup

Shiver me timbres
Bruno Carlo Oggioni (AKA Dr. Shiver) was born and raised in Milan. He began his career playing piano and keyboards, but shifted his focus from blues and classical when he became a dance music producer and songwriter in 1999.
It was in 2002 that he set up Art&Music Recording, an independent dance music label and recording facility. He’s worked with everyone from Pharrell Williams to BB King and, in 2015, released the first official and authorised remix of You Got The Love, featuring the 1986 vocal by Candi Staton.
We asked Bruno to photograph and talk us through his studio setup, and it turns out that it’s one to leave you drooling

Solid State Logic 48-channel Duality console
“The best weapon we have here at the Art&Music Studios: if you really want to have some crazy analogue warmness in your recording sessions and in your mixes, the Duality is probably the best versatile mixer you can ever have. It has the historical SSL 9000 K analogue circuits with a super easy and fast digital recall system.”

Hammond B3 with Leslie 122 and Leslie 147
“This instrument - built in California in 1969 - is like a baby to me. I use it for several purposes: creating some chord progressions, making some fat basslines and adding some crazy tension. I try to use it as much as possible in all of my productions - it has unique sounds that are not imitable by any synthesizer.”

Neve 1073 mic preamp/EQ
“An excellent and warm alternative to the SSL, the Avalon and API Pres. It has a warm and extremely recognisable sound. I still remember when we used it together with a Neumann U 87 to record Pharrell Williams’ vocals: everybody was extremely pleased and excited at the outstanding result.”

I’m the Deputy Editor of MusicRadar, having worked on the site since its launch in 2007. I previously spent eight years working on our sister magazine, Computer Music. I’ve been playing the piano, gigging in bands and failing to finish tracks at home for more than 30 years, 24 of which I’ve also spent writing about music and the ever-changing technology used to make it.





