Me and my guitar: Matt Bigland (Dinosaur Pile-Up)
The UK rock acolyte on his beloved Gibson Explorer
This Gibson Explorer has been Matt Bigland’s fair-weather friend since his teens. He tells their story so far...
2002 reissue
“I think this is a 1969 or 1967 reissue made in 2002, so not that old, 17 years now... so I guess that is kind of old. I bought this when I was 18; I’ve had it for 16 years and I love this Explorer because I feel like I kind of got lucky with it - with that particular year, because I have another Explorer that’s 2008 and it feels totally different to this one.”
Weight
“It’s really light which is killer because having a heavy guitar, in my opinion, really sucks. So it feels really agile and manoeuvrable.”
Journeyman
“I originally wanted an ebony Explorer like this because I think Dave Grohl was using one of these when he was touring The Colour And The Shape which is my favourite record of all time. So I was like, ‘I want that guitar’. Obviously Hetfield plays Explorers... so I really wanted this one. I had no money and I was working shitty café jobs so I saved for ages to try and afford this guitar. I researched for ages to try and find it and I found this shop in Glasgow that had one for £700. I guess no one wanted them at that time.
“I saved £700, I got the train up to Glasgow. I got off the train and walked to the shop, and I reckon I was off the train for probably 25 minutes. Walked straight to the shop, picked the guitar out, put it in a case and walked straight back to get a train home. I was on the train for eight hours each way. It was a lot of travel in one day just to buy this guy.”
Taking it out
“When I got it back to Leeds it just kind of stayed in the case for a couple of weeks because I was too afraid to play it. Eventually I got over that, as you can see. I haven’t really done anything to this guitar at all. Which is kind of a testament to the guitar. The pickups are super hot and I had it setup a couple of days ago because it was all banged out of shape. And the luthier was like, ‘These pickups are unusually hot for an Explorer’. I guess I just got lucky again with that.”
Feel the beat
“This is just bad technique. I play this every show and we play a lot of shows; I’ve played it every day since I was 18. I have terrible technique, my hands are way too big and I’m a drummer at heart so I just beat the fuck out of this thing. I’ve just kind of dug away at the wood with the pick.”
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Neck
“This one has quite a feminine neck at the top, which means I can noodle on it way easier. The action is really low. When you have a high action you feel like you have less control over the string. I like to do a lot of Billy Corgan wails on it and I feel that with a lower action you can do that more.”
Dinosaur Pile-Up’s latest album Celebrity Mansions is out now on Parlophone. The band are touring the UK in December
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I'm a freelance member of the MusicRadar team, specialising in drum news, interviews and reviews. I formerly edited Rhythm and Total Guitar here in the UK and have been playing drums for more than 25 years (my arms are very tired). When I'm not working on the site, I can be found on my electronic kit at home, or gigging and depping in function bands and the odd original project.
“It’s kind of scary to go through these…like, ‘Oh I’m going to take that back!’”: Albert Hammond Jr of the Strokes is (reluctantly) selling a heap of his stage-played gear on Reverb, including a Guild acoustic from the Yours To Keep tour
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