Following the addition of Sega- and Namco-themed devices to the Nintendo Switch version of Korg Gadget, further evidence of electronic music’s ongoing love affair with ‘80s video games comes with the news that M83’s new album takes inspiration from the likes of The Legend of Zelda, Phantasy Star II and Solomon’s Key.
Writing on his website, Anthony Gonzalez, the creative mind behind M83, says that the concept for DSVII (Digital Shades Vol. 2) came to him though a vivid memory seminal role playing game Dungeons & Dragons.
“I wanted to create some music that could be part of this adventure and journey with all of its solitary knights, dreamy landscapes, strange animals, forgotten myths and old spells,” he says.
Gonzalez explains that, following the release of Junk, his 2016 album, plus a subsequent tour and work with Cirque du Soleil, he felt mentally and physically exhausted, and so decided to take a break.
“During the summer of 2017, I spent five months in Cap d’Antibes, France,” he explains. “I mainly spent my time swimming in the Mediterranean Sea, reading, watching films and playing ‘80s video games.
“The inspiration behind this record is mainly video game music. It felt so refreshing to play all of these old school games again. There is something so naive and touching about them. It’s simple and imperfect. And this is exactly what I tried to achieve with Digital Shades Vol. 2.”
The album was recorded using all-analogue equipment in late 2017 and early 2018. Synths used include the ARP 2600, Sequential Prophet-6, and Roland Jupiter-6, Jupiter-8, JX-3P and Juno-106. If that lot doesn’t get the ‘80s sonic juices flowing, nothing will.
As well as video games, Gonzalez also says that he drew inspiration from Wendy Carlos’s Switched-On Bach and Brian Eno’s Discreet Music, as well as movie soundtracks from the likes of The NeverEnding Story and Fantastic Planet.
Digital Shades Vol. 2 is the sequel to Digital Shades Vol. 1, which was released in 2007. It’ll be available on 20 September.
“It didn’t even represent what we were doing. Even the guitar solo has no business being in that song”: Gwen Stefani on the No Doubt song that “changed everything” after it became their biggest hit
"There was water dripping onto the gear and we got interrupted by a cave diver": How Mandy, Indiana recorded their debut album in caves, crypts and shopping malls
![A comped image with a young George Harrison [left] onstage with the Beatles in Hamburg, a Gretsch Duo Jet strapped to his shoulder. On the right is his Futurama electric](https://cdn.mos.cms.futurecdn.net/b8Kr55ksRwtGJHnbs2GZvg-1280-80.jpg.webp)
“It didn’t even represent what we were doing. Even the guitar solo has no business being in that song”: Gwen Stefani on the No Doubt song that “changed everything” after it became their biggest hit
"There was water dripping onto the gear and we got interrupted by a cave diver": How Mandy, Indiana recorded their debut album in caves, crypts and shopping malls
