LR Baggs' founder Lloyd Baggs 40th anniversary interview: "I had no business experience, I was just a guitar-making hippy"
From building guitars for Ry Cooder to becoming a leading figure in acoustic sound – the incredible story of Lloyd Baggs
VGS 2020: If you've ever seen one of your favourite artists playing an acoustic guitar live, there's a good chance we have LR Baggs to thank for how good they sound. Lloyd Baggs was a talented cellist in his teens, then began building guitars for musicians including Ry Cooder, Jackson Browne, Janis Ian, Graham Nash and others.
Improve your acoustic tone today with our selection of the very best acoustic guitar pickups available
But Baggs and his wife would go on to focus on producing pickup systems for acoustic guitars, with the LB6 acoustic guitar pickup winning famous fans. Forty years on, LR Baggs is a world leader in its field.
His story is one of persistence and faith in the face of adversity, with an ongoing goal to amplify the acoustic guitar as faithfully as possible. See Lloyd's humble and fascinating account above.
For more information on LR Baggs pickups, preamp systems and pedals, visit lrbaggs.com
Get the MusicRadar Newsletter
Want all the hottest music and gear news, reviews, deals, features and more, direct to your inbox? Sign up here.

“Your opportunity to own a piece of music history that is directly tied to two of the world’s foremost guitarists”: Gibson unveils Murphy Lab replica of Eric Clapton’s “Disraeli Gears” 1958 Les Paul Custom that he later gifted to Albert Lee

“It’s an old-fashioned piece of conceptual rock”: Steven Wilson issues album update and promises no less than the reinvention of the “extended classic rock solo”