Kirk Hammett is keen on his wah, to ignore this fact would be doing both parties a disservice, so it's not surprising Metallica's lead man vividly remembers his first encounter with the effect. And how it resonated somewhere deep within his metal heart.
In a recently unearthed Hammett interview with our friends at Guitar Player, Hammett reflects on this five guitar solos that changed his life. And while Metallica's love for Thin Lizzy is no secret, the impact of Brian Robertson’s lead in Lizzy’s 1976 song Warriors was particularly profound for a young Kirk.
“This solo was the first time I’d ever heard a wah pedal," recalls Hammett, "I remember that when that sound came out of the speakers, it startled me.
"The one guy that I’ve always thought did not get enough credit was Brian Robertson, and his style and feel is something that I aspire to."
In 2011 Total Guitar magazine spoke to Brian Robertson about his time in Thin Lizzy including his audition for the band in 1974 when he was just 17 years old.
“I just got a train to London for some auditions," recalled Robertson, "and one of my friends, who I went to school with, was actually roadie-ing with Lizzy and I stayed with him and Lizzy’s crew. I was a bit of a fan of the band, to be honest. I had to wait a couple of weeks while they auditioned other people, then had a jam, and that was it. The rest is history, I suppose.”
Robertson would form one of rock's most influential guitar partnerships alongside US guitarist Scott Gorham, currently with Black Star Riders. “It just happened naturally," said Robertson of their creative dynamic. "I tended to play a lot of melodies anyway because I’m pretty lazy…always have been! I don’t like playing rhythm too much and Scott was very much into playing rhythm.
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"We just took those melodies and basically stuck harmonies to them. How and when it came to fruition is difficult to pinpoint, but I guess it started coming together on our second album [together], Fighting – and live as well.”
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Rob is the Reviews Editor for GuitarWorld.com and MusicRadar guitars, so spends most of his waking hours (and beyond) thinking about and trying the latest gear while making sure our reviews team is giving you thorough and honest tests of it. He's worked for guitar mags and sites as a writer and editor for nearly 20 years but still winces at the thought of restringing anything with a Floyd Rose.
“We are honoured that our company’s relationship with the legendary guitar player continues to this day”: Dunlop salutes wah pedal pioneer Eric Clapton with a gold-plated signature Cry Baby
“Honestly I’d never even heard of Klons prior to a year-and-a-half ago”: KEN Mode’s Jesse Matthewson on the greatest reverb/delay ever made and the noise-rock essentials on his fly-in pedalboard